On May 20-21, 1927, Charles Lindbergh literally flew into history when he crossed the Atlantic Ocean in his Ryan NYP Spirit of St. Louis, thus becoming the first pilot to fly solo and nonstop from New York to Paris. This flight made Lindbergh a household name and catapulted him into fame and celebrity. The objects of popular culture in the National Collection display everything from ashtrays to wristwatches reflect the public adulation for Lindbergh and the powerful commercial response to his celebrity. More than 75 years after the Spirit's historic flight, Lindbergh's name still has the power help sell manufactured goods.
The success of Lindbergh's 1927 flight, and the details of his personal life thereafter, inspired over 260 pieces of sheet music. These pieces range in form from simple piano and vocal music, to marches, fox-trots, hops, stomps, two-steps, and even a mazurka. The vast majority of the music came from the United States, but compositions also came from France, Germany, Italy, Sweden, the Netherlands, Belgium, Great Britain, Turkey, Cuba, Panama, and Japan. The titles reveal the feelings society had for Lindbergh, often hailing him as hero and bestowing affectionate nicknames, like "Charlie," "Lindy," and "Slim." The cover art of the sheet music frequently used images of Lindbergh or the Spirit of St. Louis, but some used images of his mother, wife, or popular performers of the music. The items in this collection represent a significant amount of the sheet music produced about Lindbergh.
Gift of the Stanley King Family.
Date: 1927
Dimensions:
2-D - Unframed (H x W): 26.7 x 17.8cm (10 1/2 in. x 7 in.)
Materials:
Paper
Physical Description:
Sheet music for the orchestral piece "Lucky Lindy: Fox-Trot for Orchestra" by L. Wolfe Gilbert and Abel Baer, published by Leo Feist, Inc., copyrighted 1927. The parts included in this piece are for 1st violin, cornet, trombone, 1st saxophone, 2nd saxophone, 3rd saxophone, banjo, bass, cello, piano, 2nd violin, viola, flute, 1st clarinet, 2nd clarinet, oboe, bassoon, and horns. All pages at one time opened up to have a left and right page, but many of them were separated at the center fold if the two pages were for two different instruments. The only parts with both pages still connected are the piano, flute, clarinet, viola, and 2nd violin.
