

Legend, Memory and the Great War in the Air
An impression many people have of World War I is that of gallant fighter pilots dueling high above the grim trenches, in a realm where combat was ruled by a code of honor, victory brought glory, and death came quickly and cleanly. The true nature of aerial combat was quite different. This exhibition reexamines aviation during World War I and contrasts romance with reality.
Displays of popular culture show how some of these myths were passed on, while other exhibits examine the many new roles aircraft played during the war, from battlefield reconnaissance to strategic bombing. The gallery features several rare airplanes: German Pfalz D.XII, Albatros D.Va, and Fokker D.VII fighters; a British Sopwith 7F.1 Snipe fighter; and a French SPAD XIII fighter and Voisin VIII bomber.
This exhibition is on view in Gallery 206

Smithsonian Institution Photo 2005-22896, Eric Long
Fokker D.VII
This Fokker D.VII was manufactured
by the Ostdeutsche Albatros Werke (East German Albatros Works) in
1918. Its pilot, Lt. Heinz von Beaulieu-Marconnay, had served with
the 10th ULAN (Cavalry) Regiment before becoming a pilot. To honor
his old unit, von Beaulieu-Marconnay marked his fighter with the legend
"U.10". The aircraft was captured on November 9, 1918, when
its pilot mistakenly landed at an airfield occupied by the U.S. Army
Air Service's 95th Squadron.
> More about the Fokker D.VII

Smithsonian Institution Photo 2006-29564, Eric Long
SPAD XIII "Smith IV"
The French
SPAD XIII displayed here was built by the Kellner et SesFils Piano Works. On September 15,
1918, it was assigned to the 22nd Aero Pursuit Squadron of the U.S. Army Air Service,
which was taking part in the Saint-Mihiel offensive. The aircraft entered combat during
this campaign, and by the end of the war six victories had been scored in it by various
pilots.
American ace Arthur Raymond "Ray" Brooks of the 22nd Aero
Pursuit Squadron, who first flew the SPAD in combat, named it Smith IV. The name
referred to the college his fiance attended and the fact that it was the fourth SPAD he
had flown.
The
Smithsonian Institution acquired the SPAD XIII in 1919 and alternately displayed and
stored it in its original condition for many years. Time, however, took its toll and
eventually Smith IV, its fabric rotted and its tires missing, was finally left in
storage. Smith IV eventually underwent a two-year restoration process, which was
completed in 1986.
> More about the SPAD XIII "Smith IV"

Smithsonian Institution Photo 98-15919, Eric Long
Sopwith Snipe
The Sopwith 7F.1 Snipe exhibited
here is one of only two surviving intact examples of the type. Although
its wartime record remains obscure, its serial number indicates that
it was built by the Ruston Proctor Company in August 1918. It was
purchased after the war by Arthur Le Barron and shipped to the United
States. After passing through the hands of three other owners, the
Snipe was acquired in 1951 by Cole Palen and became part of the collection
of the Old Rhinebeck Aerodrome Museum in Rhinebeck, New York.
After Palen lent
the aircraft to the National Air and Space Museum in 1988, it was restored and repainted in the colors of No. 4 Squadron of the
Australian Flying Corps. The museum obtained ownership of the Snipe
after the death of Cole Palen in 1994 as a bequest in his will.
> More about the Sopwith Snipe

Smithsonian Institution Photo 2006-26426, Eric Long
Voisin VIII
The Voisin
bomber served in theaters of the war as different as the freezing Russian plains and the
broiling Mesopotamian desert. For flying over the snow-covered expanse of central Russia,
the Imperial Russian Air Service substituted skis for rubber wheels. Equally adaptable to
desert conditions, the sturdy Voisin VIII was used by the British Royal Flying Corps in
the Middle East for observation, reconnaissance, and bombing.
Shortly after the United States entered the war on April 7, 1917, the U.S. War Department's Bureau
of Military Aeronautics purchased this Voisin VIII, along with two other French aircraft
under consideration for production in the United States. In 1918 the U.S. Army transferred
the aircraft to the Smithsonian Institution, where it was exhibited for 10 years, then
placed in storage. More than 60 years later, in 1989, the Voisin VIII was removed from
storage and restored for this exhibition.
> More about the Voisin VIII

Smithsonian Institution Photo 2001-10347, Eric Long
Albatros D.Va
The wartime history of this Albatros
D.Va is uncertain. It is believed that the Ostdeutsche Albatros Werke
(East German Albatros Works) manufactured the aircraft in late 1917
and delivered it to Jasta 46 (Fighter Squadron 46) in the spring of
1918. Like many aircraft that participated in the German offensive
of March 1918, it carries transitional markings, consisting of old-style eisernes Kreuz (iron cross) insignia on the upper wing and Balkenkreuz (Latin cross) insignia on the fuselage and lower
wings. This unusual combination not only dates the aircraft's capture
at some time in April 1918, but also illustrates the hectic pace of
flight operations, which caused even partially repainted aircraft
to be flown in combat.
> More about the Albatros D.Va

Smithsonian Institution Photo 2006-26427, Eric Long
Pfalz D.XII
The Pfalz
D.XII first appeared on the Western Front in mid-1918. It was built as a replacement for
the outdated Albatros D.Va, the Fokker triplane, and earlier Pfalz designs. The wartime
history of this particular aircraft is obscure. After the war it was one of two Pfalz
D.XIIs brought to this country as part of Allied war reparations.
In 1928 it was purchased as war surplus and brought to Hollywood for use
in the 1930 version of The Dawn Patrol. For its role in this film, the Pfalz
D.XII was given a fictitious red color scheme and a distinctive skull and crossbones on
its fuselage. In the film, it was flown by the fictitious ace von Richter, a
stereotypically fearsome German fighter pilot.
Howard
Hughes later purchased it for his film Hell's Angels. The aircraft was stored on
a back lot until 1938, when it was purchased by Louis C. Kennell, Paramount Pictures'
property manager, who restored it for the 1938 film Men with Wings. The
Smithsonian Institution later acquired the aircraft and refurbished it for use in this
exhibition.
> More about the Pfalz D.XII
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