John D. “Danny” Olivas grew up in the border city of El Paso, Texas, across the Rio Grande from Mexico. Its population is now 81% Hispanic, the largest Hispanic population of any major city within the United States. Olivas and his extended family have been part of that vibrant community since his great-grandfather migrated from Mexico in 1894.

We’re extending our Hot Barbie Summer by looking back on this gem from season seven.

Foam 331—one of two Oshkosh T-3000 foam-carrying rescue trucks arrived at the Pentagon shorty after American Airlines Flight 77 had impacted the site on September 11, 2001. The efforts of Metropolitan Washington Airports Authority firefighters and their foam trucks in conjunction with the other responding jurisdictions succeeded in suppressing the fire, limiting further loss of life and damage. Foam 331 is now on display at the Udvar-Hazy Center.

Instruments in the Smithsonian collection trace the story of how humans have explored the universe for thousands of years. Join us in taking a look at just a few examples! 

Dr. Guy Bluford launched on the STS-8 mission on August 30, 1983, becoming the first Black American in space. Bluford served as a mission specialist and his jobs were to deploy an Indian communications-weather satellite, perform biomedical experiments, and test the orbiter’s 50-foot robotic arm.

In this episode of AeroEspacial, we're jumping into the past and present of Latino representation in the Star Wars universe.

 En este episodio de AeroEspacial, nos adentramos en el pasado y el presente de la representación latina en el universo de La Guerra de las galaxias.

In 1961, President John Kennedy called on the nation to send a man to the Moon. In 1969, the United States did just that. Today, many are familiar with the story of Neil Armstrong’s first few steps on the Moon (cue the “That’s one small step...” quote), but have you ever questioned why we invested so much time, effort, and national attention in getting there? 

After the competitive short-term goals of human spaceflight had been met in the 1960s, many advocates of space exploration envisioned a permanent human presence in space.

On August 19, 1942, Fairchild Aircraft Division of the Fairchild Engine and Airplane Corporation opened Plant 7, the first unit in the company to employ Black workers, both men and women, as part of their WWII aircraft manufacturing efforts. In late 1944, Plant 5 at Wilson Boulevard and Kuhn Avenue, manufacturing corrugated parts for the Martin PBM Mariner, replaced Plant 7 as the designated plant for Black employees. A rich, yet incomplete, record of their wartime service can be found in the Fairchild Industries, Inc. Collection at the National Air and Space Museum Archives.

For Latino Futurist artists, drawing on the past is key to creating futures that connect heritage, experience, and indigeneity to the present and future in constantly circling time.

Para los artistas futuristas latinos, recurrir al pasado es clave para crear futuros que conecten el legado, la experiencia y la indigenidad con el presente y el futuro en un constante círculo temporal.