In this Van Dyke Brown photographic print from the from the Smithsonian’s National Air and Space Museum art collection, Jim Leisy (1950 – 2014) shows us one way to safely view a solar eclipse. On first glance we see an unidentified person wandering aimlessly in a dreamy atmosphere with a box over their head. As the title Solar Eclipse suggests, the cosmic observer is actually catching a glimpse of the fleeting phenomenon with a pinhole projector.
Eighteenth century ladies fans are not something visitors normally expect to encounter in the National Air and Space Museum. Nevertheless, we have them! The Evelyn Way Kendall Ballooning and Early Aviation Collection, acquired in 2014 thanks to the generosity of the Norfolk Charitable Trust, includes over 1,000 works of art, prints, posters, objects, manuscripts, and books documenting the history of flight from the first balloon ascensions in 1783 through the early years of the twentieth century.
One subtheme of the Outside the Spacecraft: 50 Years of Extravehicular Activity exhibition is the connection between the photography of spacewalking and art. We even hosted a special event in February featuring the photographer Michael Soluri and spacewalker John Grunsfeld to talk about how those two expressive visual methods came together during the STS-125 servicing mission to the Hubble Space Telescope.
As you turn to leave, you suddenly stop, frozen in wonder, beholding an oasis so calm and cool and quiet that your airplane-addled, spaced-out brain can hardly believe it isn’t a mirage. It’s not. On your floor plan it’s labeled Flight and the Arts. And much to their loss and to your relief, most visitors overlook it.
At the National Air and Space Museum in recent years, we have pursued collaborations with other Smithsonian museums to expand the topics of our exhibitions and programs. On August 15 we opened a new art exhibition titled Views of Africa. A collaboration with the Smithsonian's National Museum of African Art, it includes satellite views of African locations and a new work of contemporary art. It is being displayed in conjunction with the Earth Matters exhibition at the National Museum of African Art, which explores human connections to the land and how that is they are reflected in art.
How do you illustrate a non-fiction book for kids based on the former ninth planet? Some people still have some pretty strong feelings about Pluto’s demotion: protest signs, student protest speeches, public demonstrations. Cries of unfairness could be heard when news of poor Pluto’s removal from the planetary ranks occurred. It is the intention of this new children’s book to set the story straight or at least attempt to share “Pluto’s side of the story." I‘ve worked in the children’s book market as a freelance illustrator for several years in addition to my full-time job with the Museum’s Early Childhood program. My latest book assignment from Abrams Books for Young Readers, Pluto's Secret: an icy World's Tale of Discovery, connected my job as an artist and an educator.
In the early years of the 20th century, one of the ways that enthusiasm for all things aeronautical found expression were in colorful chromolithographic postcards, like this Easter postcard featuring an intrepid, though slightly nervous-looking, rabbit who takes to the sky onboard a festive aerial egg balloon. The card was mailed to one Elinora in Frederick, Maryland by her cousin Louisa in April, 1911. Yes, a lighter-than-air bunny may be a little unlikely, but surely no more than a turkey piloting a biplane. Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.
Turkeys are generally considered to be flightless birds, but as this postcard from the files of the Museum's Archives Division vividly illustrates, they are capable of short hops, especially when at the controls of biplanes. If you're flying to your Thanksgiving destination, bon voyage, and keep your eyes peeled for flying turkeys. Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.
In addition to the “Apollo 11 Codices”, the National Air and Space Museum holds approximately 150 works by the artist Mitchell Jamieson (1915 – 1976). The “Apollo 11 Codices” exemplify Jamieson’s journalistic style of painting, which was one reason NASA brought him into its Fine Art Program. Aboard the U.S.S. Hornet, Jamieson sketched the seamen working to recover the capsule and crew from the successful Apollo 11 mission. Jamieson was known for his depictions of the onlookers at major events rather than the events themselves. This style allows the viewer to believe that they are there as part of the crowd, feeling the energy and excitement. Three of Jamieson’s works are traveling as part of the exhibition “NASA Art: Fifty Years of Exploration” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in cooperation with NASA and the National Air and Space Museum.
In my 30 years at the Museum, I have seen millions of visitors of every age and nationality pose to have their pictures taken in front of the huge astronaut figure in Bob McCall’s mural in the lobby. It makes me happy to think that his work is in photo albums around the globe, associated with fond vacation memories. I send my heartfelt condolences to Louise and the McCall family and thank them for my own fond memories of knowing Bob and Louise McCall.