At the National Air and Space Museum in recent years, we have pursued collaborations with other Smithsonian museums to expand the topics of our exhibitions and programs. On August 15 we opened a new art exhibition titled Views of Africa. A collaboration with the Smithsonian's National Museum of African Art, it includes satellite views of African locations and a new work of contemporary art. It is being displayed in conjunction with the Earth Matters exhibition at the National Museum of African Art, which explores human connections to the land and how that is they are reflected in art.
How do you illustrate a non-fiction book for kids based on the former ninth planet? Some people still have some pretty strong feelings about Pluto’s demotion: protest signs, student protest speeches, public demonstrations. Cries of unfairness could be heard when news of poor Pluto’s removal from the planetary ranks occurred. It is the intention of this new children’s book to set the story straight or at least attempt to share “Pluto’s side of the story." I‘ve worked in the children’s book market as a freelance illustrator for several years in addition to my full-time job with the Museum’s Early Childhood program. My latest book assignment from Abrams Books for Young Readers, Pluto's Secret: an icy World's Tale of Discovery, connected my job as an artist and an educator.
In the early years of the 20th century, one of the ways that enthusiasm for all things aeronautical found expression were in colorful chromolithographic postcards, like this Easter postcard featuring an intrepid, though slightly nervous-looking, rabbit who takes to the sky onboard a festive aerial egg balloon. The card was mailed to one Elinora in Frederick, Maryland by her cousin Louisa in April, 1911. Yes, a lighter-than-air bunny may be a little unlikely, but surely no more than a turkey piloting a biplane. Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.
Turkeys are generally considered to be flightless birds, but as this postcard from the files of the Museum's Archives Division vividly illustrates, they are capable of short hops, especially when at the controls of biplanes. If you're flying to your Thanksgiving destination, bon voyage, and keep your eyes peeled for flying turkeys. Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.
In addition to the “Apollo 11 Codices”, the National Air and Space Museum holds approximately 150 works by the artist Mitchell Jamieson (1915 – 1976). The “Apollo 11 Codices” exemplify Jamieson’s journalistic style of painting, which was one reason NASA brought him into its Fine Art Program. Aboard the U.S.S. Hornet, Jamieson sketched the seamen working to recover the capsule and crew from the successful Apollo 11 mission. Jamieson was known for his depictions of the onlookers at major events rather than the events themselves. This style allows the viewer to believe that they are there as part of the crowd, feeling the energy and excitement. Three of Jamieson’s works are traveling as part of the exhibition “NASA Art: Fifty Years of Exploration” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in cooperation with NASA and the National Air and Space Museum.
In my 30 years at the Museum, I have seen millions of visitors of every age and nationality pose to have their pictures taken in front of the huge astronaut figure in Bob McCall’s mural in the lobby. It makes me happy to think that his work is in photo albums around the globe, associated with fond vacation memories. I send my heartfelt condolences to Louise and the McCall family and thank them for my own fond memories of knowing Bob and Louise McCall.
For more than a decade it has been my privilege, among my other duties, to serve as curator of the National Air and Space Museum art collection. It comes as a surprise to many folks to realize that the Museum has an art collection. In fact, it includes over 4,700 works by artists with names like Daumier, Goya, Rauschenberg, Rockwell and Wyeth.
As mentioned in Dom Pisano’s recent post “From Collecting to Curating,” six interns, including myself, and two volunteers (with our supervisor, enough for a baseball team!) photographed, scanned and catalogued much of the museum’s collection of over 1,300 posters at the Paul E. Garber Facility's collections processing unit this summer. It sounds like a lot of posters, but you may not have seen any of them, unless you have a great memory of advertisements you glimpsed in airports over the years while running to catch your plane.