Conservation of Michael Collins' razor from the Apollo 11 mission presented conservators with a complex ethical dilemma for deciding the best treatment approach: how to arrest degradation while maintaining the historical elements of the artifact.
In my 30 years at the Museum, I have seen millions of visitors of every age and nationality pose to have their pictures taken in front of the huge astronaut figure in Bob McCall’s mural in the lobby. It makes me happy to think that his work is in photo albums around the globe, associated with fond vacation memories. I send my heartfelt condolences to Louise and the McCall family and thank them for my own fond memories of knowing Bob and Louise McCall.
Greetings, from the Astronomy Intern here at the National Air and Space Museum! I will admit that despite being the Astronomy Intern, I am not a science person by background. In fact, my experience is in world literature, history, and multicultural advocating. So what am I doing here, you ask?
For more than a decade it has been my privilege, among my other duties, to serve as curator of the National Air and Space Museum art collection. It comes as a surprise to many folks to realize that the Museum has an art collection. In fact, it includes over 4,700 works by artists with names like Daumier, Goya, Rauschenberg, Rockwell and Wyeth.
While hunting for images of navigators in World War II, a series appeared which, although completely distant from my topic, still grabbed my attention. They were pictures of a military funeral. These pictures were unique, however, because they were not showing the solemn burial of a soldier, airmen, or sailor; they were showing the burial of a unit mascot.
Cecil “Teddy” Kenyon (1905-1985), on the left, and her husband Theodore "Ted" Whitman Kenyon (1899-1978) were a flying family – when they weren’t trick-or-treating, as this 1940s photograph from their collection in the Museum’s Archives Division shows.
As mentioned in Dom Pisano’s recent post “From Collecting to Curating,” six interns, including myself, and two volunteers (with our supervisor, enough for a baseball team!) photographed, scanned and catalogued much of the museum’s collection of over 1,300 posters at the Paul E. Garber Facility's collections processing unit this summer. It sounds like a lot of posters, but you may not have seen any of them, unless you have a great memory of advertisements you glimpsed in airports over the years while running to catch your plane.
The Museum-going public doesn’t often get the opportunity to observe the work that goes on behind the scenes in a museum. The National Air and Space Museum’s poster collection is a case in point. The items in this collection, which range from notices for early aviation exhibitions to commercial airline advertising, were collected over many years. It is only recently, however, that the posters have been curated; i.e., cared for as a collection.