The Clouds in a Bag exhibit at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, displays many early renditions of ballooning, including a 18th-19th century dance box. Take a look at the conservation process behind this charming object.
Conservator Amanda Malkin has spent the last year examining, documenting, and conservering the Museum's 20 nineteenth century Chinese kites. Malkin shares how the traditional kites were constructed from the multiple thicknesses of split bamboo to the plant fibers that make up the Chinese paper. She also documents her conservation process for one of the treated kites, including the delicate process of removing brown craft paper tape.
This week the Apollo 11 Command Module, Columbia, which carried Neil Armstrong, Buzz Aldrin, and Michael Collins on their historic trip to the Moon, moved to the Steven F. Udvar-Hazy Center in Chantilly, Virginia. To many of us at the Museum, the move seemed to have miraculously happened overnight. In truth, the move took a team of experts and months of meticulous planning to pull off.
“This is something that’s unlike anything, at least for me, that I’ve ever moved,” said Anthony Wallace, a museum specialist in the Museum’s collections processing unit. Wallace explained that the spacecraft was not as complicated to move as some of the Museum’s aircraft, but the historical significance of the object heightened everyone’s awareness.
The Museum periodically performs a thorough, physical check of all our objects. We open panels and cases and closely inspect each object for any sign of deterioration due to light, humidity, vibration, or just the march of time. We always hope there are no surprises. But when conservator Robin O’Hern, gallery inventory coordinator Erin Ober, and their colleagues opened a large chamber in the Apollo to the Moon gallery, they got a shock; an acrid chemical smell.
The last time Neil Armstrong's gloves and helmet were displayed, in 2012, visitors asked us about “grey spots” on the right glove. We're conducting research and examining historical documentation to find out why.
One of our goals for this conservation project is to create a concrete timeline of the spacesuit’s condition and to document any historical repairs. To do that, we need your help. We’re looking for photos of the spacesuit from its national tour beginning in 1970, the gloves and helmet on later tours, and the spacesuit on display at the Smithsonian between 1971 and 1976.
When visitors enter our Museum, many are awed by the number of artifacts that are on display. We’re often asked, “How do you manage to keep everything clean?” That is a terrific question, especially since there are more than 6,000 artifacts on display at any time on the floor or hanging overhead, with more being added each year. Cleaning and inspecting the artifacts is critical to preserving the Museum’s collection.
You may be surprised to know that in addition to the largest collection of authentic aviation- and space-related artifacts in the world, our Museum also has an impressive model collection. Our model collection contains more than 5,700 models of aircraft, balloons, and more. Nearly 1,100 of those models are on display at our Museum and the rest are in storage. Approximately 800 of those models share space with our staff on the third floor of the Museum in Washington, DC. But not for much longer. Last June, we began the time-consuming process of relocating the models from the third floor to storage at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. The move was brought on by a multi-year project at the Museum in DC to upgrade the exterior of the building and the interior mechanical systems. Before construction begins, the models need to be moved. How do you relocate more than 800 delicate models?
For the past decade, SpaceShipOne has been on display as one of the hanging artifacts in the Boeing Milestones of Flight Hall. It was specifically positioned to depict the aircraft in its initial stage of powered flight (30 degrees, nose up attitude) just after release from its White Knight mother ship, which carried it aloft to an altitude of about 14,326 meters (47,000 feet). In March of this year, SpaceShipOne was lowered to the floor as part of a major renovation of the Milestones gallery. During this time, it received a thorough condition assessment and photo documentation by conservator Sharon Norquest. After surface cleaning and minor conservation work is completed, it is scheduled to be rehung this week and will be one of the major artifacts in the new Boeing Milestones of Flight Hall, scheduled to open in July 2016. The renovation project provided us with a unique opportunity to consider how we showcase SpaceShipOne in the future.