Every once in a while a curator will receive a new collection of objects that has in it one very special item that begs to have its story told. This recently happened to me when I unpacked Alan Eustace’s stratospheric spacesuit. The former Google executive and engineer, along with his StratEx team, set several records on October 24, 2014 including the world’s highest altitude parachute jump at 41.425 kilometers (135,899 feet).

I never would have guessed I’d spend the summer building a spacesuit. It isn’t exactly your typical internship. But with a lot of “spare” parts generously donated to the Museum by the manufacturer, ILC Dover, there’s a spacesuit just begging to be assembled. I spent weeks figuring out how to put this suit together, and with more than 400 parts in the collection, it’s not as simple as you might think.

There's more to these suits than meets the eye.

We’ve received a few comments and questions about why our stretch goal for the Neil Armstrong #RebootTheSuit Kickstarter project is Alan Shepard’s Mercury Freedom 7 spacesuit. The short answer is that the two suits bracket the ideas and accomplishments of the Apollo space program.

One of my earliest memories is of watching the Moon landing on TV with my dad. I was barely four years old, so the whole thing really kind of went over my head. I do remember being upset that "Mr. Dressup" had been pre-empted. Also, I was fascinated by the fact that my dad was practically climbing into the TV, he was so excited! (He was a science teacher—genes that skipped me, sadly!) I learned that day, if people could walk on the Moon, anything was possible.

First, let’s talk about terminology. When we talk about putting on or taking off a spacesuit, we frequently use the terms “donning and doffing.”