What is a hybrid rocket motor? What advantages does it have over conventional liquid and solid propellant rocket motors? These questions point to an exciting breakthrough that occurred on December 13, 2018, when Virgin Galactic successfully launched VSS Unity on its first suborbital flight.
In addition to the “Apollo 11 Codices”, the National Air and Space Museum holds approximately 150 works by the artist Mitchell Jamieson (1915 – 1976). The “Apollo 11 Codices” exemplify Jamieson’s journalistic style of painting, which was one reason NASA brought him into its Fine Art Program. Aboard the U.S.S. Hornet, Jamieson sketched the seamen working to recover the capsule and crew from the successful Apollo 11 mission. Jamieson was known for his depictions of the onlookers at major events rather than the events themselves. This style allows the viewer to believe that they are there as part of the crowd, feeling the energy and excitement. Three of Jamieson’s works are traveling as part of the exhibition “NASA Art: Fifty Years of Exploration” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in cooperation with NASA and the National Air and Space Museum.
One of the things that makes being an educator here great is our teaching collection. I’m lucky, I work with a curatorial and collections staff that considers our needs as educators and provides the public with deaccessioned items they can touch and examine up close. Our teaching collection currently contains real space food, shuttle tiles, bits of airplanes, meteorites, uniforms and other assorted items. However, not all the items are real; our most popular replica is the shuttle era space suit. The suit has been part of the Discovery Station Program for over ten years. It was purchased with a grant from the Smithsonian Women’s Committee and is part of the Living and Working in Space Discovery Station, our most popular station, largely because of the suit. The station gets an average of 40,000 visitors yearly, but that’s only a portion of the crowds the suit sees. It has also become a key object used for family days, story times and school tours.
In the summer of 2009 the United States celebrated the fortieth anniversary of the first Moon landing, Apollo 11. Amidst all of the hoopla virtually every news story, especially in the electronic world, made some comment about a supposedly rising belief that humans have never landed on the Moon. Why?
The formal beginnings of the modern "pro-space movement"—really an extension of the ad hoc efforts to gain and sustain public support for an aggressive spaceflight agenda earlier led by Wernher von Braun and others—might be best traced to the June 1970 formation of the Committee for the Future (CFF), a small group of space activists, dreamers, and misfits. Meeting in the home of Barbara Marx Hubbard, daughter of the toy king, and her husband, artist-philosopher Earl Hubbard, in Lakeville, Connecticut, they proposed establishing a lunar colony.
The rich collections of space artifacts at the National Air and Space Museum provide a remarkable resource for scholars who wish to understand the special place that deep space exploration has held in the imagination of not just Americans but people around the world.
Who has not seen the bright blue and white image of the Earth, swaddled in clouds and looking inviting, in numerous places and in various settings? Taken by the Apollo 17 astronauts on December 7, 1972, this photograph is one of the most widely distributed images in existence.
The National Air and Space Museum is holding its first ever virtual conference for educators on Tuesday, November 10 from 11 a.m. – 5 p.m. EST. Since we’re in the middle of the 40th anniversary commemorations of the Apollo missions, we decided to focus on this important period in American history. Staff from our Division of Space History will discuss some fascinating topics such as the real story behind President Kennedy’s famous speech challenging Congress to send Americans to the Moon; the role of computers—a new technology in the 1960s; the myth of presidential leadership during this time period; the intersections of Ralph Abernathy, the Civil Rights Movement, and the Moon landing; the rise of six iconic Apollo images and how they have been used over time; and the denials of the Moon landings by a small segment of the population and their evolution since the 1960s.
When the Apollo 11 spacecraft lifted off on July 16, 1969, for the Moon, it signaled a climactic instance in human history. Reaching the Moon on July 20, its Lunar Module—with astronauts Neil A. Armstrong and Buzz Aldrin aboard—landed on the lunar surface while Michael Collins orbited overhead in the Apollo 11 command module. Armstrong soon set foot on the surface, telling millions on Earth that it was “one small step for [a] man—one giant leap for mankind.” Aldrin soon followed him out and the two planted an American flag but omitted claiming the land for the U.S. as had been routinely done during European exploration of the Americas, collected soil and rock samples, and set up scientific experiments. The next day they returned to the Apollo capsule overhead and returned to Earth, splashing down in the Pacific Ocean on July 24.
Regular summer visitors to the National Air and Space Museum are familiar with the Museum’s popular event, Mars Day. This year, Mars is taking a backseat to allow us to honor the 40th Anniversary of the Apollo 11 lunar landing with Countdown to the Moon Day.