Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer

During the Civil War, engineer William Powers came up with an idea for breaking the Northern blockade of Southern harbors. “His idea was to create this—again, steam-powered—helicopter-type design,” says Bryant, “which he was going to use to bomb the northern ships.”

"The engine was to rotate a shaft and gears," writes historian Juliette Hennessy, "and drive two pairs of rotors or air-screws, one pair to raise the craft vertically, the other pair to drive it horizontally. A rudder was provided for steering and a rolling weight for balancing the craft fore and aft." After completing his design, Powers worried that it would fall into Yankee hands, so he hid the plans in his attic, where they remained until 1940. That was when Paul Garber (the first curator of the Air Museum, which later became the National Air and Space Museum) acquired the model and the drawings.

After modeling his first two flying machines, Bryant began casting about for other things to build. “It's a fascinating, fascinating field,” he says. “We know about people like William Powers, and because Tom Crouch happened to stumble across A.A. Mason, we preserve his memory. But how many others are there? We have no way of knowing. In North America [alone] it could be dozens, or even hundreds of people. We just don't know the scope of folk aviation.”

Display Status

This object is not on display at the National Air and Space Museum. It is either on loan or in storage.

Object Details
Type ART-Sculpture Medium William Powers Artist Gregory K. H. Bryant
Physical Description Cardboard, paper, thread, and tempera model of a flying steamship. William Powers During the Civil War, engineer William Powers came up with an idea for breaking the Northern blockade of Southern harbors. “His idea was to create this—again, steam-powered—helicopter-type design,” says Bryant, “which he was going to use to bomb the northern ships.” "The engine was to rotate a shaft and gears," writes historian Juliette Hennessy, "and drive two pairs of rotors or air-screws, one pair to raise the craft vertically, the other pair to drive it horizontally. A rudder was provided for steering and a rolling weight for balancing the craft fore and aft." After completing his design, Powers worried that it would fall into Yankee hands, so he hid the plans in his attic, where they remained until 1940. That was when Paul Garber (the first curator of the Air Museum, which later became the National Air and Space Museum) acquired the model and the drawings. After modeling his first two flying machines, Bryant began casting about for other things to build. “It's a fascinating, fascinating field,” he says. “We know about people like William Powers, and because Tom Crouch happened to stumble across A.A. Mason, we preserve his memory. But how many others are there? We have no way of knowing. In North America [alone] it could be dozens, or even hundreds of people. We just don't know the scope of folk aviation.” Dimensions 3-D: 48.3 × 15.9 × 32.4cm (1 ft. 7 in. × 6 1/4 in. × 1 ft. 3/4 in.)
Inventory Number A20181157000 Credit Line Gift of Gregory K. H. Bryant Data Source National Air and Space Museum Restrictions & Rights Usage conditions apply
For more information, visit the Smithsonians Terms of Use.