All Stories

On April 28th, we will be awarding the National Air and Space Museum’s Trophy Award for Current and Lifetime Achievement. The Trophy was initiated in 1985 and has been given every year but one since then. This year, the Lifetime Achievement Award will be given to Christopher C. Kraft, Jr., for a lifetime of service to aerospace, especially for his role in defining the responsibilities of Mission Control for human spaceflight at NASA. Anyone who has seen the Hollywood film Apollo 13 knows how crucial the mission controllers were in saving that mission and its crew from disaster. While the filmmakers may have exaggerated a few things, in that regard they were correct. Mission controllers—at first located at Cape Canaveral, later on in Houston—were critical to the success of all the human missions into space, and it was Kraft who determined their roles and responsibilities.

The Exploring the Planets Gallery has been updated to include scientic exlporation of Mars. See what's new! 

Every year as the anniversary of the first human spaceflight approaches, I receive calls inquiring about the validity of Yuri Gagarin’s claim as the first human in space.  The legitimate questions focus on the fact that Gagarin did not land inside his spacecraft. 

In addition to the “Apollo 11 Codices”, the National Air and Space Museum holds approximately 150 works by the artist Mitchell Jamieson (1915 – 1976). The “Apollo 11 Codices” exemplify Jamieson’s journalistic style of painting, which was one reason NASA brought him into its Fine Art Program. Aboard the U.S.S. Hornet, Jamieson sketched the seamen working to recover the capsule and crew from the successful Apollo 11 mission. Jamieson was known for his depictions of the onlookers at major events rather than the events themselves. This style allows the viewer to believe that they are there as part of the crowd, feeling the energy and excitement. Three of Jamieson’s works are traveling as part of the exhibition “NASA Art: Fifty Years of Exploration” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in cooperation with NASA and the National Air and Space Museum.

One of the things that makes being an educator here great is our teaching collection. I’m lucky, I work with a curatorial and collections staff that considers our needs as educators and provides the public with deaccessioned items they can touch and examine up close.   Our teaching collection currently contains real space food, shuttle tiles, bits of airplanes, meteorites, uniforms and other assorted items.  However, not all the items are real; our most popular replica is the shuttle era space suit.  The suit has been part of the Discovery Station Program for over ten years.  It was purchased with a grant from the Smithsonian Women’s Committee and is part of the Living and Working in Space Discovery Station, our most popular station, largely because of the suit.  The station gets an average of 40,000 visitors yearly, but that’s only a portion of the crowds the suit sees.  It has also become a key object used for family days, story times and school tours.

In the summer of 2009 the United States celebrated the fortieth anniversary of the first Moon landing, Apollo 11. Amidst all of the hoopla virtually every news story, especially in the electronic world, made some comment about a supposedly rising belief that humans have never landed on the Moon.  Why?

The formal beginnings of the modern "pro-space movement"—really an extension of the ad hoc efforts to gain and sustain public support for an aggressive spaceflight agenda earlier led by Wernher von Braun and others—might be best traced to the June 1970 formation of the Committee for the Future (CFF), a small group of space activists, dreamers, and misfits. Meeting in the home of Barbara Marx Hubbard, daughter of the toy king, and her husband, artist-philosopher Earl Hubbard, in Lakeville, Connecticut, they proposed establishing a lunar colony.

The rich collections of space artifacts at the National Air and Space Museum provide a remarkable resource for scholars who wish to understand the special place that deep space exploration has held in the imagination of not just Americans but people around the world. 

In my 30 years at the Museum, I have seen millions of visitors of every age and nationality pose to have their pictures taken in front of the huge astronaut figure in Bob McCall’s mural in the lobby. It makes me happy to think that his work is in photo albums around the globe, associated with fond vacation memories. I send my heartfelt condolences to Louise and the McCall family and thank them for my own fond memories of knowing Bob and Louise McCall.

Being snowbound at home for a long weekend presented a perfect opportunity to go shopping online – for Space Shuttle artifacts!