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The new film The Aeronauts truly captures the excitement of ballooning in the 19th century, even if it makes a few historical errors along the way. Ballooning expert Tom Paone explores the history behind the film.

On September 6, 1969, Neil Armstrong was welcomed home with a parade in his hometown of Wapakoneta, Ohio, with flags, banners, Bob Hope, and the Goodyear Blimp.

Only two survived the crash of the Wingfoot Express—Henry Wacker, the chief mechanic, and John Boettner, the pilot.  They became known as members one and two of the Caterpillar Club, an organization formed in November 1922 consisting of people who had used parachutes to make an emergency jump.

The 320th Barrage Balloon Battalion, the only unit that stormed the beach at Normandy on June 6, 1944, that was comprised entirely of African American soldiers, played a vital role in protecting the ships and soldiers during the D-Day invasion.

On October 15, 1910, Kiddo the cat became the first of his kind to attempt to cross the Atlantic Ocean by airship—and he wasn’t very happy about it.

In 1858, French photographer Gaspar Félix Tournachon took a photo of a village from his hot air balloon--the first aerial photograph. Since then, aerial photography has changed how we see the world around us. 

In the early years of the balloon, explorers employed the lighter-than-air craft to probe the upper reaches of the atmosphere, or float across the arctic wastes in an attempt to reach the North Pole.

Having watched the first humans rise into the air, Benjamin Franklin predicted that the new invention would have considerable military value, enabling an aerial view of an enemy’s army for “conveying intelligence into, or out of, a besieged town, giving signals to distant places, or the like.”

What made the balloon such a key graphic element in political and social satire for over one century? Was it the bulbous shape, or the fact that balloons are wayward craft that tend to go where the wind blows, in spite of the aeronaut’s best efforts? Whatever the reason, the great comic artists of the 18^th and 19th century turned to the balloon time and time again in order to poke fun at people and events. The meaning of many of the political satires, the inside joke, is often lost on us today. If any of our friends out there can enlighten us as to the story behind one of these mysteries, we welcome the assistance! 

No celebration in 19th century France was complete without a balloon in the weeks and months following its invention. A balloon ascent had the power to gather crowds of delighted spectators eager to see something they had never seen before. This balloon craze was satirized and documented in prints and engravings from the time.