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When you think of an astronaut’s job description, art design may not be the first thing that comes to mind. However, the astronaut crews on each mission are in charge of designing their team's mission patch. 

The Clouds in a Bag exhibit at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, displays many early renditions of ballooning, including a 18th-19th century dance box. Take a look at the conservation process behind this charming object. 

In this Van Dyke Brown photographic print from the from the Smithsonian’s National Air and Space Museum art collection, Jim Leisy (1950 – 2014) shows us one way to safely view a solar eclipse.  On first glance we see an unidentified person wandering aimlessly in a dreamy atmosphere with a box over their head. As the title Solar Eclipse suggests, the cosmic observer is actually catching a glimpse of the fleeting phenomenon with a pinhole projector.

A fan of what he calls “the older stuff,” librarian Phil Edwards shared with me seven of the library’s most prized possessions and lesser-known gems just in time for Museum Week’s Book Day (#BooksMW).

After Germany invaded Belgium in August 1914, a British blockade to prevent supplies reaching Germany also isolated the Belgian people. The Commission for Belgian Relief (CRB), chaired by future U.S. president Herbert Hoover, negotiated delivery of food and goods to civilians living there. Among the items was thread to Belgian lace makers. The CRB managed sales and deliveries of Belgian war lace to people in the Allied countries wishing to support the Belgian population.

With male family members at the battlefront, wounded, or killed, French peasant women used their needlework skills to maintain their livelihoods and rebuild their war-torn communities. Thousands of American women volunteers in France, especially those associated with the American Committee for a Devastated France, sponsored them.

War souvenirs are as old as warfare itself. Be they trophies of victory or personal keepsakes of combat experiences, soldiers have always saved material evidence of their wartime service. Some, if they had the skills, turned the materials of war into art.

The signature aspect of the First World War in Europe was the protracted stalemate of trench warfare. After a brief period of mobility over the battlefield in the first months of the conflict, the opposing armies settled into a long and deadly war of attrition.

World War I, also known as the Great War, engaged all the great powers of Europe, and their worldwide colonial empires, including South Africa, German East Africa, French West Africa, Morocco, Algeria, Egypt, India, Vietnam, Australia, New Zealand, the West Indies, and Canada. The United States, Japan, and China also entered the conflict. More than 70 million military personnel were mobilized by all nations. The modern industrial capacity of the principal combatant countries fueled one of history’s most destructive wars. 

Mobilization of the American war effort was an immense undertaking. Decisions about everything from how to form fighting units, to manufacturing the needed equipment, to the logistics of transport and supply had to be addressed. Part of this planning was the decision to send artists to cover the war in Europe.

Eight professional illustrators, commissioned as U.S. Army officers, were embedded with the American Expeditionary Forces (AEF) in France in early 1918. Their mission was to capture the wide-ranging activities of American soldiers, including combat, with the intent of shaping popular understanding at home of the war experiences of the AEF.