All Stories

On April 28th, we will be awarding the National Air and Space Museum’s Trophy Award for Current and Lifetime Achievement. The Trophy was initiated in 1985 and has been given every year but one since then. This year, the Lifetime Achievement Award will be given to Christopher C. Kraft, Jr., for a lifetime of service to aerospace, especially for his role in defining the responsibilities of Mission Control for human spaceflight at NASA. Anyone who has seen the Hollywood film Apollo 13 knows how crucial the mission controllers were in saving that mission and its crew from disaster. While the filmmakers may have exaggerated a few things, in that regard they were correct. Mission controllers—at first located at Cape Canaveral, later on in Houston—were critical to the success of all the human missions into space, and it was Kraft who determined their roles and responsibilities.

I teach an exhibition design course as an adjunct professor for the George Washington University’s Museum Studies program.  I tell my students I’ve got the best job in the world: designing exhibitions for the Smithsonian’s National Air and Space Museum. They often ask what you need to know to be an exhibit designer and how they can get there, too.

Every year as the anniversary of the first human spaceflight approaches, I receive calls inquiring about the validity of Yuri Gagarin’s claim as the first human in space.  The legitimate questions focus on the fact that Gagarin did not land inside his spacecraft. 

National Air and Space Museum staff are hard at work renovating the Pioneers of Flight gallery, scheduled to open later this year.  It will be filled with the fascinating stories of the colorful personalities of early aviation, including Jimmy Doolittle, Bessie Coleman, Amelia Earhart, and Charles and Anne Lindbergh, plus Robert Goddard and other rocket pioneers.  One of the featured artifacts is the newly cleaned Lockheed Sirius Tingmissartoq, the dual cockpit plane that carried Charles and Anne Lindbergh on their exploratory trips across several continents in 1931 and 1933.  The trips made headlines and were the basis for two popular books written by Anne, North to the Orient and Listen, the Wind! Cognizant of their place in history, the Lindberghs carefully saved the majority of items they packed for the trips. Now after several decades in storage, many will be on display for the first time. 

The formal beginnings of the modern "pro-space movement"—really an extension of the ad hoc efforts to gain and sustain public support for an aggressive spaceflight agenda earlier led by Wernher von Braun and others—might be best traced to the June 1970 formation of the Committee for the Future (CFF), a small group of space activists, dreamers, and misfits. Meeting in the home of Barbara Marx Hubbard, daughter of the toy king, and her husband, artist-philosopher Earl Hubbard, in Lakeville, Connecticut, they proposed establishing a lunar colony.

In my 30 years at the Museum, I have seen millions of visitors of every age and nationality pose to have their pictures taken in front of the huge astronaut figure in Bob McCall’s mural in the lobby. It makes me happy to think that his work is in photo albums around the globe, associated with fond vacation memories. I send my heartfelt condolences to Louise and the McCall family and thank them for my own fond memories of knowing Bob and Louise McCall.

The nation lost an inspirational figure when Bob McCall died on Friday, February 26. As an artist, Bob invited people around the globe to share his optimistic dreams of a human future in space.

Greetings, from the Astronomy Intern here at the National Air and Space Museum!  I will admit that despite being the Astronomy Intern, I am not a science person by background.  In fact, my experience is in world literature, history, and multicultural advocating.  So what am I doing here, you ask?

I first became fascinated with glaciers during two summer seasons in Alaska while working on a cruise ship as a harpist. I would perform in a lounge at the top of the ship surrounded by windows and would watch in awe as we sailed past glaciers in Glacier Bay National Park as I performed.

Balancing access and preservation is a continuous problem in every archive. The Museum’s Archives Division’s mandate is two-fold; to make collections accessible for researchers, and to preserve the collections for future generations. These two goals came into conflict while processing the Lee Ya-Ching Collection.