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May 20-21, 2010, marked the 83rd anniversary of Charles A. Lindbergh’s historic solo, nonstop flight from New York to Paris. As a result of this feat, Lindbergh became an instant hero and celebrity. But how do we explain the overpowering public reaction to what some thought was a stunt? In his essay titled, “The Meaning of Lindbergh’s Flight,” published in 1960, historian John William Ward theorized that Lindbergh enabled Americans to look both forward to the technological future, which they feared and misunderstood, and backward to their pioneering past. A more cynical interpretation is that while Lindbergh’s flight was a truly courageous act, he became famous for being famous. Also, we know that his advisors crafted a tightly-managed persona and created a squeaky-clean, idealized public image of him. There is perhaps more than a grain of truth in each analysis.
The notation in the Museum’s artifact database is simple: “On loan.” But this artifact is a replica Nobel Prize. And its loan involves two government agencies, a crushed storage building, and a flight to the International Space Station. Let’s start at the beginning – literally. As in the Big Bang.
In the 1990s the United States collaborative space policy entered an extended period of transition from the earlier era of Cold War, one in which NASA has been compelled to deal with international partners on a much more even footing than ever before.
On May 20, 1932, that Amelia Earhart set out in her Lockheed 5B Vega to become the first woman to fly nonstop and alone over the Atlantic Ocean. Departing from Harbour Grace, Newfoundland and landing in Londonderry, Northern Ireland about 15 hours later, she also became only the second person to solo the Atlantic, the first being Charles Lindbergh in 1927. It was also her second trip across the Atlantic. Earhart first came to the public’s attention four years earlier, in June 1928, when she made headlines for doing nothing more than riding as a passenger--but she was the first female to do so. And although it didn’t matter to the public that she never touched the controls of the aircraft during the transatlantic flight from Newfoundland to Wales, it mattered to Earhart.
This month marks 80 years of female flight attendants. It's hard to imagine a time without them, but until 1930, airlines employed male stewards. That changed when Ellen Church, a nurse from Iowa, approached Steve Simpson at Boeing Air Transport (later United Airlines) with the radical idea of putting women nurses on airliners.
In view of Dom Pisano’s blog on the IMAX films, I thought I might offer some comment on what it is like to see yourself five stories tall on the BIG screen
May 10 may ring a bell for fans of the 1970s television show The Six Million Dollar Man. On that day in 1967, a NASA research aircraft, the wingless M2-F2 lifting body, crashed in the California desert. A film clip of the crash opened the popular weekly show about the gravely injured fictional pilot, Steve Austin, played by Lee Majors.
In Star Trek: The Next Generation the intrepid crew of the United Starship Enterprise repeatedly face the Borg, cyborgs intent on assimilating the biological creatures of the universe into their collective consciousness. Their meme, “resistance is futile,” serves as a convenient tagline for this ongoing plot device in the fictional series, but it also may foreshadow a more realistic future for humanity as we reach into space. When considering the far future and the potential for humans to colonize other bodies in the solar system and beyond, perhaps humanity will adapt to the space environment through modifications of the human body like those found on the Borg. This idea was first broached by scientists Manfred E. Clynes and Nathan S. Kline in a 1960 NASA study.
The superlatives tend to pile up pretty quickly when it comes to the rigid airship Hindenburg, the pride of the Deutsche Zeppelin-Reederei line...It’s a shame, though, that the Hindenburg is remembered today primarily for its tragic final flight.
When the National Air and Space Museum opened its doors in July 1976, it featured in its theater a film produced specifically for the Museum called To Fly in a large format called IMAX.