The AEF artists had great freedom to travel about, affording them broad access to events, including combat. Although devoid of the more shocking realities of war that photography captured, their depictions of the battlefield powerfully convey a sense of immediacy and on-the-spot observation. Their art provides a window on their role as both recorders of history and as first-hand participants in that history. Most of the AEF artists were trained and worked as professional illustrators before the war. Their approach placed the viewer on the scene in ways not common in earlier war art.

 

Street Fighting
Harvey Thomas Dunn
Watercolor, charcoal, pastel on paper, 1918

 

The Sentry by Harvey Thomas Dunn, oil on canvas, 1918

The Sentry
Harvey Thomas Dunn
Oil on canvas, 1918

 

Machine Gun Emplacement by Harvey Thomas Dunn, Oil on canvas, 1918

Machine Gun Emplacement
Harvey Thomas Dunn
Oil on canvas, 1918

 

The Flare by Harvey Thomas Dunn, Charcoal, pencil, and pastel on paper, 1918

The Flare
Harvey Thomas Dunn
Charcoal, pencil, and pastel on paper, 1918

 

The Hand Grenade by Harvey Thomas Dunn, Charcoal and pastel on paper, 1918

The Hand Grenade
Harvey Thomas Dunn
Charcoal and pastel on paper, 1918

 

A Mined Road Near Buzancy by J. André Smith, Charcoal on paper, 1918

A Mined Road Near Buzancy
J. André Smith
Charcoal on paper, 1918

 

Over the Top by J. André Smith, Charcoal on paper, 1918

Over the Top
J. André Smith
Charcoal on paper, 1918

The phrase “going over the top,” among the most famous from World War I, referred to climbing out of the protective trenches to attack the enemy across open ground. This area between the opposing trenches was referred to as “no man’s land” because it was pummeled by artillery bombardment and swept by machine gun fire.

 

The Road to Essey by J. André Smith, Charcoal on paper, 1918

The Road to Essey
J. André Smith
Charcoal on paper, 1918

 

Infantryman by Harry Everett Townsend, Charcoal on paper, 1918

Infantryman
Harry Everett Townsend
Charcoal on paper, 1918

 

Between Le Charmel and Jaulgonne by Harvey Thomas Dunn, Watercolor and pastel on paper, 1918

Between Le Charmel and Jaulgonne
Harvey Thomas Dunn
Watercolor and pastel on paper, 1918

 

Battle of Marne by Harvey Thomas Dunn, Watercolor and pastel on paper, 1918

Battle of Marne
Harvey Thomas Dunn
Watercolor and pastel on paper, 1918

 

The Road between Jaulgonne and Mont St. Père by Harvey Thomas Dunn, Watercolor, charcoal, and pastel on paper, 1918

The Road between Jaulgonne and Mont St. Père
Harvey Thomas Dunn
Watercolor, charcoal, and pastel on paper, 1918

 

Sept. 26, The Argonne by Harvey Thomas Dunn, Watercolor and charcoal on paper, 1918

Sept. 26, The Argonne
Harvey Thomas Dunn
Watercolor and charcoal on paper, 1918


The AEF WWI war art collection currently is held by the Smithsonian’s National Museum of American History, Division of Armed Forces History, from which the artworks in this exhibition are on loan.

Related Topics Art War and Conflict World War I
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