Feb 20, 2017
By Michael Neufeld
On February 20, 1962 John Glenn became the third American and fifth person in space. What made his mission especially important was that he was the first American to orbit the Earth.
Alan Shepard and Gus Grissom’s earlier Mercury flights, both achievements in their own right, had only been 15-minute suborbital hops. Glenn’s three circuits around the world at last equaled the Soviet Union’s achievement of orbiting Yuri Gagarin on April 12, 1961. Glenn became a national hero.
Now the flight of Friendship 7 has gained new resonance because it is the dramatic climax of the movie, Hidden Figures, based on the book of the same name by Margot Lee Shetterly. The book details the history of a little known group of women of color at NASA and its precursor, the National Advisory Committee for Aeronautics (NACA).
White female “computers” (then a job title) already worked for NACA at its founding center, the Langley Laboratory in Hampton, Virginia. White women also worked for other science and engineering organizations in the U.S. and beyond. Female mathematicians using large mechanical desk calculators did elaborate but often tedious calculating work so that male aerodynamicists could concentrate on the science.
In World War II, however, a labor shortage prompted Langley to look beyond white women for these positions. The lab created a segregated unit, West Computing, for Black women. They usually had math degrees and previously had no options in the South other than in poorly paid teaching jobs in segregated schools.
Mathematician Katherine Johnson at NASA in 1966.
One of these women was Katherine Coleman Goble Johnson from White Sulphur Springs, West Virginia, who joined the unit in 1953. A brilliant mathematician, she was one of the first African American graduate students at West Virginia University. She probably would have gone on to a doctorate had the lack of future job prospects and family concerns not intervened.
Five years after she came to Langley, the center became part of NASA and the home of America’s first human spaceflight project, Project Mercury. Johnson quickly graduated into doing the trajectory computations for the capsule’s orbit and for its reentry into the Earth’s atmosphere.
One key question was calculating the exact position over the Earth to fire the retrorockets in order to land in the center of the ocean recovery zone. As a result of this work, Johnson became the first African American female computer to have her name on a technical paper issued by Langley.
Right at this time, the center installed the first large IBM mainframe computer. This foreshadowed an age when the job title "computer" would go away. The women would adapt to becoming computer scientists.
In fall 1961, as the Mercury project prepared for Glenn’s launch on the Atlas intercontinental ballistic missile, Glenn asked one of the supervisors to have “the girl,” meaning Johnson, to check the reentry calculations of the new computer on the old desktop calculators. He just was not comfortable with having his fate dependent on a machine. Johnson did that extensive work, which took a couple of weeks, and became known for it in the African American press after the flight.
Hidden Figures, the motion picture, takes many liberties with history.
I could go on about the factual inaccuracies, which are many, but how bothersome that is depends on how much one thinks dramatic license is justified to make a good movie. And it is a good movie, well-acted, and inspirational. I enjoyed it even as I was exasperated by its many deviations from history, some of which are simply unnecessary.
As for Katherine Johnson, she received late-life recognition even before Hidden Figures. In 2015, President Obama gave her the highest US civilian honor, the Presidential Medal of Freedom. Her story, like those of the other women commemorated in the book and the movie, are destined to change our national narrative about the space program and the people who contributed to it. In that sense, both versions of Hidden Figures are undoubtedly important.
Michael J. Neufeld is a senior curator in the Space History Department of the National Air and Space Museum and has Friendship 7 in his collections. He vividly recalls watching the Glenn launch and landing on TV as a ten-year-old in Canada.
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We rely on the generous support of donors, sponsors, members, and other benefactors to share the history and impact of aviation and spaceflight, educate the public, and inspire future generations. With your help, we can continue to preserve and safeguard the world’s most comprehensive collection of artifacts representing the great achievements of flight and space exploration.