Military technology has always shaped and defined how wars were fought. The First World War, however, saw a breadth and scale of technological innovation of unprecedented impact. It was the first modern mechanized industrial war in which material resources and manufacturing capability were as consequential as the skill of the troops on the battlefield.

Heavy artillery, machine guns, tanks, motorized transport vehicles, high explosives, chemical weapons, airplanes, field radios and telephones, aerial reconnaissance cameras, and rapidly advancing medical technology and science were just a few of the areas that reshaped twentieth century warfare. The AEF artists documented the new military technology as thoroughly as every other aspect of the war.

After three years on the sidelines, the United States lagged far behind the latest technology and faced a monumental task equipping hundreds of thousands of new soldiers. U.S. industry was just beginning to gear up for this challenge when the AEF arrived in France. American troops frequently used European produced equipment, as is evident in much of the AEF artwork.

 

Harlequin Freighters by J. André Smith, Watercolor and charcoal, July 1918

Harlequin Freighters
J. André Smith
Watercolor and charcoal, July 1918

 

Two Six-Ton Tanks Climbing a Hill by Harry Everett Townsend, Watercolor and pastel on paper, 1918

Two Six-Ton Tanks Climbing a Hill
Harry Everett Townsend
Watercolor and pastel on paper, 1918

 

Left by the Hun, 152 mm Mortar by Harry Everett Townsend, Charcoal on card, 1918

Left by the Hun, 152 mm Mortar
Harry Everett Townsend
Charcoal on card, 1918

 

American Artillery and Machine Guns by George Matthews Harding, Charcoal and crayon on paper, July 24, 1918

American Artillery and Machine Guns
George Matthews Harding
Charcoal and crayon on paper, July 24, 1918

 

Gas Alert by Harry Everett Townsend, charcoal on paper, 1918

Gas Alert
Harry Everett Townsend
Charcoal on paper, 1918

 

Soldiers of the Telephone by Harry Everett Townsend, Charcoal on paper, 1918

Soldiers of the Telephone
Harry Everett Townsend
Charcoal on paper, 1918

 

The Flying Field, Issoudun by Ernest Clifford Peixotto, charcoal on board, August 1918

The Flying Field, Issoudun
Ernest Clifford Peixotto
Charcoal on board, August 1918

 

Forced Landing Near Neufchateau by Harry Everett Townsend | Charcoal on paper, 1918

Forced Landing Near Neufchateau
Harry Everett Townsend
Charcoal on paper, 1918

 

Lame Ducks, Issoudun by J. André Smith, pencil on paper, 1918

Lame Ducks, Issoudun
J. André Smith
Pencil on paper, 1918

 

Valley of the Marne at Mont St. Père by George Harding Matthews, charcoal, pastel, and sanguine on paper, July 26, 1918

Valley of the Marne at Mont St. Père
George Harding Matthews
Charcoal, pastel, and sanguine on paper, July 26, 1918

 

The Alert Nieuports by Harry Everett Townsend, charcoal on paper, 1918

The Alert Nieuports
Harry Everett Townsend
Charcoal on paper, 1918

 

94th Aero Squadron “Hat-in-the-Ring” Insignia

94th Aero Squadron “Hat-in-the-Ring” Insignia

America’s first combat squadron was the 94th. Its famous “Hat-in-the Ring” insignia reflected the phrase used in April 1917 when the United States entered the war and was said to have now “thrown its hat in the ring.”

This example came from the aircraft of Harvey Weir Cook, who shot down 3 enemy aircraft and four observation balloons. The victories are represented with iron crosses inside the brim of the hat.

Gift of Donald Sieurin and D. Peter Sieurin


The AEF WWI war art collection currently is held by the Smithsonian’s National Museum of American History, Division of Armed Forces History, from which the artworks in this exhibition are on loan.

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