Art Scholl was a highly regarded aerial cinematographer, stunt pilot, and aerobatic champion. Using this variety of cameras, Scholl shot aerial scenes for the 1970s television series Baa Baa Black Sheep and such movies as Capricorn I, The Great Waldo Pepper, Top Gun, and the IMAX film Flyers.
Scholl's de Havilland DHC-1A Chipmunk is on display in the Udvar-Hazy Center, and master copies of several of his films reside in the Museum's motion picture collection. The cameras are of 1940s to 1960s vintage. Many of these models were used by both U.S. and international military and commercial aerial photographers.
Aerobatic pilot and cameraman Art Scholl mounted this Cine-Kodak 16mm, and other Hollywood studio cameras, on aircraft to film scenes for documentaries and movies including The Right Stuff and many others in the 1970s and 80s.
The de Havilland Chipmunk was originally designed as a post World War II primary trainer, a replacement for the venerable de Havilland Tiger Moth training biplane used by the air forces of the British Commonwealth throughout World War II. Among the tens of thousands of pilots who trained in or flew the Chipmunk for pleasure was veteran aerobatic and movie pilot Art Scholl. He flew his Pennzoil Special at airshows around the country throughout the 1970s and early 1980s, thrilling audiences with skill and showmanship, and proving that the design itself was a top-notch aerobatic aircraft.
The Chipmunk was designed, initially built and flown by de Havilland Canada subsidiary, hence the very Canadian "woods country" sounding name of Chipmunk that complemented their other aircraft the Beaver, Otter, and Caribou. The prototype first flew on May 22, 1946 in Toronto. DeHavilland of Canada produced 218 Chipmunks and de Havilland in England produced 1000 airplanes for training at various Royal Air Force and University Air Squadrons during the late 1940s and into the 1950s. OGMA in Portugal produced 60 for the Portuguese Air Force. (One source says 66.) In 1952, His Royal Highness the Duke of Edinburgh took his initial flight training in a Chipmunk. It was also used in other roles, such as light communications flights in Germany and for internal security duties on the island of Cyprus.
The Chipmunk was an all-metal, low wing, tandem two-place, single engine airplane with a conventional tail wheel landing gear. It had fabric-covered control surfaces and a clear plastic canopy covering the pilot and passenger/student positions. The production versions of the airplane were powered by a 145 hp in-line de Havilland Gipsy Major "8" engine.
Art Scholl purchased two Canadian-built Chipmunks from the surplus market after they became available in the late 1950s and early 1960s. He purchased the two-place DHC-1A, N114V, first and it now resides in the Experimental Aircraft Association's museum in Oshkosh, Wisconsin. In 1968, Scholl bought another DHC-1A and began extensive modifications that resulted in almost a completely new aircraft. He covered over one cockpit to reconfigure the aircraft into a single-place aircraft and installed a (fuel injected) 260 hp Lycoming GO-435 flat-opposed 6-cylinder engine. He removed 20 inches from each wingtip and changed the airfoil section of the tip area. The reduction in span led to the need to lengthen the ailerons inboard to retain control effectiveness. This in turn reduced the flaps to where they became somewhat ineffective, and, since the flaps really were not required for the normal show and aerobatic routines, he removed them as a weight saving measure. These modifications improved the low speed tip stall characteristics and improved roll performance during aerobatic maneuvers.
The vertical fin and rudder acquired a 25% increase in area and an increased rudder throw to manage the effects of increased engine torque and for better directional control during slow-speed aerobatic routines. The standard fixed landing gear was replaced with a retractable gear from a Bellanca airplane. The landing gear was subsequently damaged during a belly landing and resulted in a permanent wheel toe-in that was never repaired. This caused a tire drag during takeoffs and landings that led to the need for tire replacement after about 10 takeoffs and landings. Other idiosyncrasies were the pitot static tube being fashioned from a golf club shaft and a 3-inch extension added to the cockpit control stick to ease the control loads during the more severe aerobatic routines. Scholl also installed rear-view mirrors on both sides of the cowling just forward of the windscreen. He placed an RAF placard on the instrument panel as a memorial to some Vulcan bomber crew members who were his personal friends. He installed three smoke generators with red, white, and blue smoke for his show routines that included the Lomcevak tumbling/tailslide maneuver.
Scholl also referred to this plane as a Super Chipmunk, a term also used for a few other highly-modified Chipmunks. However, it technically remained a Chipmunk that flew in the Experimental category of FAA special airworthiness certificates.
Scholl designed most of these modifications himself, drawing upon his Ph.D. and his 18 years as a university professor in aeronautics. He held all pilot ratings, and was a licensed aircraft and powerplant (A&P) mechanic and an authorized FAA Inspector. He was also a three-time member of the U.S. Aerobatic Team, an air racer (placing several times at the National Air Races at Reno), an airshow pilot, and a fixed base operator with a school of international aerobatics. In 1959, Scholl began working for legendary Hollywood pilots Frank Tallman and Paul Mantz at Tallmantz Aviation and then later formed his own movie production company, producing and performing aerial photography and stunts for many movies and television shows. At airshows, Scholl often flew with his dog Aileron, who rode the wing as Scholl taxied on the runway or sat on his shoulder in the aircraft.
Art Scholl was killed in 1985 while filming in a Pitts Special for the movie Top Gun. Art Scholl's estate donated the Pennzoil Special, N13Y, serial number 23, and his staff delivered it to the Garber Facility in Suitland, Maryland on August 18, 1987. It is currently on display at the Museum's Stephen F. Udvar-Hazy Center at Washington Dulles International Airport in Chantilly, Virginia.
Approximate (Magazine; Detached): 21 × 3.5 × 12.7cm, 0.5kg (8 1/4 × 1 3/8 × 5 in., 1lb.)