All Stories

One of our goals for this conservation project is to create a concrete timeline of the spacesuit’s condition and to document any historical repairs. To do that, we need your help. We’re looking for photos of the spacesuit from its national tour beginning in 1970, the gloves and helmet on later tours, and the spacesuit on display at the Smithsonian between 1971 and 1976.

“We know it will be a good ride,” Astronaut Neil Armstrong said. He was responding to well wishes from the NASA launch operations manager just 15 seconds before automatic sequence. And he was right. It was a good ride.

One of our most enduring and popular exhibits has been a piece of the Moon that you can touch. The rock, on loan from NASA, is one of only a few touchable lunar sample displays in the world. In fact, it was the very first touchable Moon rock exhibit when it opened to the public in 1976.

During the Mercury, Gemini, and Apollo missions, one of NASA’s concerns was the safety of its crews, something it monitored rigorously through the use of biomedical instrumentation. As initial flight planning commenced in 1959, biomedical equipment capable of transmitting from space did not exist. NASA quickly brought together medical staff and hardware engineers to develop biomedical technology.

A few years after graduating, Margaret Hamilton soon found herself in charge of software development and production for the Apollo missions to the Moon at the MIT Instrumentation Laboratory. 

On February 26, 2016, we opened our latest exhibition of imagery, A New Moon Rises, in our Art Gallery.

I recently shared that we uncovered handwritten notes and markings inside the Apollo 11 Command Module Columbia—the spacecraft that carried astronauts Armstrong, Collins, and Aldrin into lunar orbit and home on their historic voyage of July 1969. As part of our collaboration with the Smithsonian’s Digitization Program Office to create a detailed 3D model of the spacecraft, we had access to previously inaccessible areas for the first time in many years. We found notes written on a number of locker doors and even a small calendar used to check off days of the mission. We did our best to imagine the circumstances surrounding the creation of these markings. In the weeks that have passed, I have been working with an extraordinary team of experts to see what we can learn about each of the markings we documented, especially the more technical numerical entries. Today, we are posting the Apollo Flight Journal (AFJ) website, a detailed account of all the information we’ve gathered so far.

Scientific images can rival those of the most talented artists, a fact that is now on display in A New Moon Rises at our Museum in Washington, DC. Take, for example, an image of Reiner Gamma, a beautiful and strange feature on the Moon that looks as though a tadpole has been painted across the flat surface of Oceanus Procellarum. The image demonstrates the phenomenon of lunar swirls – bright patterns that some scientists believe may result from the solar wind striking the lunar soil. A localized magnetic field anomaly may have given this swirl its peculiar shape. The photo is densely packed with scientific information.

During the course of a project to produce a detailed 3D model of the Apollo 11 Command Module Columbia, we were able to observe and record some hand-written notes and markings in areas of the spacecraft that have been hidden from view for more than 40 years.

On Thursday, February 4, the world lost the last of the Apollo 14 astronauts. Edgar Dean Mitchell, U.S. Navy test pilot and the sixth person to walk on the Moon, passed away in his sleep near his Florida home at the age of 85. Though it was his only flight into space, Apollo 14 provided the rather insightful Mitchell with an opportunity to test the bounds of the human mind in ways sometimes only he knew of at the time. Characterized later as the “Overview Effect,” he described the space travel experience as one that shifted his own beliefs about human existence, though having an openness to such a change was always a part of Mitchell’s way of life.