All Stories

Step outside of the Air and Space Museum and into the Lyle Tuttle Tattoo Art Collection in San Francisco, California to explore the symbolism of tattoo body art during World War II.

Viewing the painting Spitfire, 1973, by photorealist painter Audrey Flack is like looking at a plane spotting puzzle.

Carolyn Russo, curator of the Museum's art collection, reflects of the work of Alma W. Thomas.

Carolyn Russo, curator of the Museum's art collection, shares the story behind the painting November 1944, by artist Robert Jordan, who served in World War II and was a Prisoner of War at Luft IV POW camp.

A museum staff photographer reflects on photographing in black and white and learning to see in shades of grey.

From an outsider’s perspective, Lamar Dodd must have seemed like an unlikely choice for a commission to create paintings on the subject of space. Dodd was in the first group recruited for the NASA Art Program, which tasked artists with translating the cultural and scientific monumentality of the space missions to a national audience.

On July 11, 1969 – only 5 days before Neil Armstrong, Michael Collins, and Buzz Aldrin set out on their journey to the Moon – a relatively unknown British musician named David Bowie released a single titled Space Oddity.

The NASA Art Program played an important role in representing the excitement and public interest in early spaceflight missions like Apollo 11. As we look back at key moments from the historic missions, we do so not only through photographs and oral histories, but through the eyes of artists as well.　

In this guest blog post, Chesley Bonestell expert Melvin Schuetz reflects on the Bonestell artwork "A Fog-Filled Canal on Mars."

This guest blog post by space artist Ron Miller explores the impact illustrator Chesley Bonestell had on his life, and recounts 50 years of telling Bonestell's story.