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You never know what you’ll uncover once you do a little digging. Museum Technician Tom Paone discovered something quite remarkable from what at first appeared to be a simple map.

As I was flipping through a set of historical National Air and Space Museum photographs in the Archives a few months ago, one caught my eye—was that a Hecht’s window display?  Upon closer examination, it was!  But the display from the 1950s wasn’t highlighting the usual dresses, jackets, or shoes.  Instead, it featured models from the National Air Museum in celebration of the 30^th Anniversary of the Anacostia Naval Air Station (NAS) in Washington, DC.

What truly captivated me this summer was feeling a personal connection to the history of aviation. I’ve always been interested in the topic, largely because my dad was a Marine Corps fighter pilot. Until this summer I hadn’t had a chance to truly dive into the subject, and finally learning about what my dad did as a pilot has given me a new perspective on his career. He flew F -18s for most of his pilot days, but he also flew F-4 Phantoms, the same plane used for simulator rides here at the museum. I’m sure piloting the simulator isn’t nearly as thrilling (or difficult) as flying a real fighter jet, but it gave me a small taste of my dad’s everyday job. As soon as I hopped out of the ride, I emailed my dad to tell him how exciting my three minutes of pretend-jet-flying had been. He responded by telling me, not for the first time in my life, that he had the “best job in the world.” I never understood the excitement he felt until now.

It's hard to spot the familiar US insignia of the white star on a blue circle, but the black and white stripes the Lightnings wear stand out easily - which is a very good thing. In 1944, in the months leading up to the invasion of Nazi occupied France, the Allied planners of Operation OVERLORD realized that on the day of the invasion - D-Day - the skies over the invasion zone would be filled with aircraft.

The North Americna X-15 was the culmination of over a half a century designing planes to fly higher and faster. 

In 1987, the historian Michael S. Sherry published a groundbreaking and controversial book titled The Rise of American Air Power: The Creation of Armageddon (Yale UP, 1987). Sherry in effect reinterpreted the history of American air power in a way that was more contextually based and fiercely critical. The result was not to every military historian’s liking because it deviated so dramatically from what was considered the master narrative of American air power, which traditionally had focused on combat tactics and weaponry, and which had neglected the broader implications of air power and its employment. Moreover, Sherry upset the “Good War” narrative (mistakenly from Studs Terkel’s ironically titled The Good War: An Oral History of WWII) that emphasizes the heroic side of war and downplays its destructiveness, death, and tragedy. Thus, The Rise of American Air Power could be seen as representative of what has been termed the “New Military History,” an attempt to bring military history into line with other academic historical endeavor.

When Secretary of the Navy William J. Middendorf II commissioned the USS Smithsonian, CVM-76, on June 28, 1976, he announced in authentic navy parlance that “the floors are now decks, walls are bulkheads and stairs are ladders. "Welcome Aboard!” Visitors to the gallery may not realize that exhibits artisans built the gallery using the decks, bulkheads, ladders and other parts removed from five famous American aircraft carriers. 

In a recent post, Tom Paone described the plans of William Powell, a resident of Mobile, Alabama, for a Confederate helicopter. In fact, Powell’s scheme was only the tip of the iceberg. In researching a scholarly paper on Civil War Planes, I have catalogued a score of plans for powered flying machines developed on both sides of the battle lines. Perhaps the most interesting of these was the work of Colonel Edward Wellman Serrell , a professional engineer serving with the Union Army of the James in 1864. Inspired by the well-known hand-held helicopter toy, Serrell had begun studying aeronautics several years before the War.

As my colleague Dr. Tom Crouch referenced in a previous post, our nation is currently in the midst of commemorating the 150th Anniversary of the American Civil War (or sesquicentennial for you Latin fans). 

The Boeing B-29 Superfortress Enola Gay is one of the National Air and Space Museum’s most heralded artifacts, but a new addition to the National Air and Space Museum Archives Division’s collections provides a glimpse into the lives of the crew before they became worldwide names.  In May, the Archives accepted an accession of three State of Utah individual liquor permits for 1944 to 1945 (Acc. No. 2012-0027).