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One of my earliest memories is of watching the Moon landing on TV with my dad. I was barely four years old, so the whole thing really kind of went over my head. I do remember being upset that "Mr. Dressup" had been pre-empted. Also, I was fascinated by the fact that my dad was practically climbing into the TV, he was so excited! (He was a science teacher—genes that skipped me, sadly!) I learned that day, if people could walk on the Moon, anything was possible.
The Smithsonian would like to add to its national collection a Pan American Airways (Pan Am) “First Moon Flights” Club card as an example of early enthusiasm for space travel.
As anyone who has ever braved the hot asphalt to chase down the siren song of an ice cream truck knows, the best cure for a sweltering summer day is ice cream. It’s fortunate then, that the summer heat cannot be felt within the confines of a spacecraft—the International Space Station is always a comfortable 72 degrees. Three hundred and fifty-four kilometers (220 miles) above Earth, ice cream is hard to come by.
Next week marks the 40th anniversary of an important moment in space history, when astronauts and cosmonauts greeted each other warmly in their docked Apollo and Soyuz spacecraft while orbiting above the Earth.
"Buck...Rogers...in the twenty-fifth CEN-TURYYY!" This enthusiastic refrain from a deep-voiced announcer is how the popular 1930s radio show featuring space hero Buck Rogers began. It was followed by the roar of a spaceship blasting off, simulated by the sound of an air conditioning vent. Many of you have probably never heard of Buck Rogers, but he was a household name in the 1930s and ‘40s. Rogers was the very first science fiction comic strip hero. The character, at first named Anthony Rogers, was introduced in the first science fiction magazine, Amazing Stories, in August 1928. In a story titled, Armageddon 2419 A.D., written by Philip Nowlan, Rogers was a 29-year-old World War I veteran who took a job inspecting mines for radioactive gases.
When the Boeing Milestones of Flight Hall opens in the summer of 2016, one of its central artifacts will be the Star Trek starship Enterprise studio model, used to film the original television series. As a member of the curatorial team that has been working on this exciting revision of the Milestones Hall, I have been immersed in the culture and lore of that artifact, as I have sought to place it in the context of the Lunar Module, Spirit of St Louis, Bell X-1, and other iconic artifacts that will populate the space. What follows are some observations.
Earlier this month, I wrote about some of the behind-the-scenes work it took to survey and pack the Arthur C. Clarke Collection for transfer to the National Air and Space Museum. In this post, I wanted to highlight the types of material that make up this wonderful collection. These were all found during my cursory survey of the material; who knows what wonderful items we will uncover as we start the in-depth processing!
In his memoir Moon Lander, Grumman project manager Thomas Kelly describes the exhilaration at Grumman for winning the contract to build what became the Lunar Module (LM), followed by trepidation when the design team realized the severe weight restraints they had to work under in order to get two astronauts safely to the lunar surface and back to lunar orbit. At the outset, Grumman and NASA worked with an initial estimate of 30,200 pounds, which was within the limits of the Saturn V’s booster capability; but this began to grow ominously as the work progressed.
On Sunday, May 10, the United States and many other countries will be celebrating Mother’s Day. Several National Air and Space Museum Archives collections contain photographs of aviators and their mothers. Here are a few.
Russian naval pilot Alexander de Seversky, that country’s top naval ace in World War I, later became one of the most influential proponents of the use of strategic air power in warfare — and Disney film star — in the United States.