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As the National Air and Space Museum gears up for its All Night at the Museum 40th anniversary celebration July 1-2, I can’t help but recall the night in July 1976 that I almost spent at the newly opened Museum — until the police found me and returned me to my parents, that is.
The studio model of the Star Trek starship Enterprise is now on exhibit in the Boeing Milestones of Flight Hall. After taking it off exhibit in 2014, assembling a special advisory committee, examining it using x-ray radiography, searching out long-lost photos, and planning the work in great detail, months of hard work culminated in several weeks of painting, detail work, rewiring, and final assembly. In the end, the whole project was a tremendous collaboration.
The Northwestern Aeronautical Corporation (NAC) in St. Paul, Minnesota documented company life during WWII in a series of wooden scrapbooks created for company president John E. Parker. The company supported a softball league with batting averages to shame Ted Williams and a league-leading hockey team. For Thanksgiving, employees received a turkey, compliments of the company. And in June 1945, the company sponsored the Miss Northwestern beauty contest.
Among the treasures found within the special collections of the DeWitt Clinton Ramsey Room, a branch of the Smithsonian Libraries located at the National Air and Space Museum, is a collection of oversized scrapbooks with an interesting and complicated history. Originally bound in one volume, William Upcott’s Scrapbook of Early Aeronautica captures the history of lighter-than-air aircraft and aeronautics from 1783 to the 1840s through a rich collection of newspaper clippings, articles, illustrations, and letters.
One of our most enduring and popular exhibits has been a piece of the Moon that you can touch. The rock, on loan from NASA, is one of only a few touchable lunar sample displays in the world. In fact, it was the very first touchable Moon rock exhibit when it opened to the public in 1976.
On October 7, 1929, Anne Morrow Lindbergh gazed out the window of a Sikorsky S-38 flying boat, entranced by the view before her: gleaming stone structures only recently freed from the thick tropical vegetation of the Yucatan peninsula in Mexico—Chichén Itzá, a remnant of the Mayan civilization that thrived there between 750 and 1200 AD. Her husband Charles A. Lindbergh piloted the aircraft that skimmed just above the ruins and treetop canopy.
For more than four decades, the Smithsonian’s National Air and Space Museum has celebrated the greatest achievements in aviation and space history.
I’m snatching moments to write this from Chile, sitting on the floor of the airport, or bouncing up winding mountain roads in a van. I’m here as an Astronomy in Chile Educator Ambassador, with eight other ambassadors.
“God bless you,” was the way in which “Mother” Tusch said farewell to pilots who visited her at her Berkeley, California cottage from 1915 to 1950, so it is fitting that the phrase is engraved on this plaque found among her vast collection of aviation memorabilia.
In a recent blog post, Kathleen Hanser told the story of the “Shrine of the Air” in Berkeley, California, and highlighted various artifacts from “Mother” Tusch’s house that became a part of our collections. The paper documents from Tusch’s house can be found in the National Air and Space Museum Archives as part of theMary E. “Mother” Tusch Collection (Acc. No. XXXX-0128).