The National Reconnaissance Office (NRO) launched the first GAMBIT-1 high-resolution photoreconnaissance satellite on July 12, 1963. It was designed to take photographs of Sino-Soviet Bloc targets such as aircraft, missiles, and naval vessels at a maximum ground resolution of 2 feet. This resolution enabled intelligence community photo analysts to see more detail of them than provided by CORONA, the other photoreconnaissance satellite system in operation since 1960. Details of these targets were critical to help determine their size, capabilities, and threat posed to the United States and its allies.

A GAMBIT-1 on display at the National Museum of the United States Air Force. The orbital control vehicle is on the right and the satellite recovery vehicle and heat shield are on the left. 

GAMBIT-1 was a film return system like CORONA in which a camera and unexposed film were launched into space on a satellite. A reel in the satellite recovery vehicle at the front of the satellite held the exposed film. Once all the film had been used, the satellite recovery vehicle separated from the satellite and reentered the Earth’s atmosphere protected by a heat shield. A parachute deployed at about 12 miles altitude and was snagged by an Air Force plane in the impact area northwest of Hawaii. Both the parachute and satellite recovery vehicle were reeled into the plane. On the ground, the film was removed and rushed to the east coast for processing and analysis.

Development of GAMBIT-1 started in 1960 under great secrecy.  General Electric built the satellite recovery vehicle and the orbital control vehicle housing the camera and film supply. Eastman Kodak manufactured the camera, which was based on a Soviet astronomer’s design for a telescope from the 1940s. Lockheed supplied the Agena-D upper stage, which was carried on top of the first-stage booster and attached to the aft end of the orbital control vehicle. The booster initially used was a modified Atlas intercontinental ballistic missile.

The satellite carried 3,000 feet of special thin-base film manufactured by Kodak. Black and white film was usually used, but on selected missions color film was employed. From the normal operating altitude of 110 miles, the camera photographed an area approximately 12 miles wide by 10 miles long in a single frame or a continuous strip of an area of the same width and varied length.

The first mission on July 12, 1963, was a test of the system and acquired engineering data and a limited amount of photography covering 10 targets. After a little over a day in orbit, the satellite recovery vehicle was deorbited and recovered. The ground resolution of the photography ranged from 3.5 to 10 feet.

An Air Force plane snags the parachute of a satellite recovery vehicle northwest of Hawaii.

The next 22 flights through 1965, ranging in duration from one to five days, were frequently plagued by malfunctions. Many were partial or total failures. However, the successful missions during this period demonstrated the value of the program. They acquired photography with a ground resolution as high as 22 inches and, in some flights, covered almost 1,000 targets.

This is a portion of an October 1965 GAMBIT-1 photograph of the Dolon long-range bomber base in the USSR. The high resolution of the photo enabled analysts to count and identify the aircraft. 

Fourteen of the final 15 missions from early 1966 to June 1967 were successful. They averaged approximately seven days in orbit. The last flight covered 2,015 targets and achieved the highest ground resolution in the program of 19 inches.

GAMBIT-3 was the successor program, and the first test flight took place in July 1966. There were 54 missions before the last one in 1984. GAMBIT-3 satellites had an improved camera, carried more film, stayed on orbit longer, and covered many more targets. The highest ground resolution it achieved remains classified but is believed to be around 6 inches.

The National Air and Space Museum has an unflown, flight-qualified GAMBIT-1 on loan from the NRO. It first went on display in the Space Race gallery at the Museum’s location on the National Mall in Washington, DC,  in 2014 and will again be on display in the RTX Living in the Space Age gallery when the east end of the building reopens.

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