All Stories

In the early years of the 20th century, one of the ways that enthusiasm for all things aeronautical found expression were in colorful chromolithographic postcards, like this Easter postcard featuring an intrepid, though slightly nervous-looking, rabbit who takes to the sky onboard a festive aerial egg balloon. The card was mailed to one Elinora in Frederick, Maryland by her cousin Louisa in April, 1911. Yes, a lighter-than-air bunny may be a little unlikely, but surely no more than a turkey piloting a biplane. Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.  

Having grown up less than 90 minutes away from the famous Cedar Point amusement park in Sandusky, Ohio, I got the chance at least a few times each summer to see an IMAX movie. I remember the packed seats for the pre-show, everyone clamoring for the best seats right in the middle, but everyone was usually just happy to be escaping the heat for the air conditioned theater. When The Dream Is Alive was released in June 1985, I was just old enough to ride those massive roller coasters, but seeing IMAX films at Cedar Point really left an impression on me: a big impression. Seeing those sweeping views of Earth and space on a gigantic screen made spaceflight seem so real, and utterly amazing.

When Disney•Pixar approached the National Air and Space Museum about donating the Buzz Lightyear figure that had flown to the International Space Station for 15 months, I was delighted.  As the curator for the Museum’s social and cultural space artifacts, I have the unique job of getting to take toys seriously.

I offer for your consideration, the ten best American aviation genre films in chronological order:

On February 10, 2012, retired Vought employees officially rolled out the one-of-a-kind Vought V-173 Flying Pancake, following eight years of painstaking restoration work. The Flying Pancake dates to World War II when the Chance Vought Division of the United Aircraft Corporation built and flew the airplane to test Charles H. Zimmerman’s theories about extremely low-aspect ratio wing design that allowed an aircraft to fly at very slow speeds. 

I work behind the scenes as part of a team of museum specialists supporting the upcoming exhibit Time and Navigation: The Untold Story of Getting from Here to There opening in March, 2013. I am the person who shepherds the objects themselves through the process.

We are all familiar with the climate on Earth: the seasons, the range of surface temperatures that are just right for being a water world, the oxygen we breathe, the ozone layer that protects us from UV radiation. In short: habitable. So what other bodies in the Solar System might be (or might have been) habitable, and why aren’t they today? Mars probably comes to mind, and for good reason. Mars has the most similar climate to our own, with water ice caps at the poles, seasonal snow, and dust storms. This is because Mars has a similar axial tilt as the Earth, which creates similar seasonal temperature variations.

The relationship between film, history, and mass culture is especially intriguing when we examine the correspondences between the representation of pilot-heroes in film and public perceptions of aviation. These connections are applicable during the heyday of the aviation genre film—the interwar years and WWII.

The Friendship 7 space capsule was designed to orbit the earth and it did just that on February 20, 1962, with John Glenn, Jr. on board. It circled the globe three times before landing in the Atlantic Ocean. Three months later Friendship 7 began its second mission, or what was popularly referred to as its “fourth orbit:” a worldwide exhibition that was organized to promote and represent the United States and its space program in nearly 30 cities around the world.

I would like to think that I’ve always known the inspirational story of the Tuskegee Airmen—the groundbreaking pilots of the 332nd Fighter Group and the 477th Bombardment Group.