When a team accomplishes what, at times, seemed impossible, it becomes a victory for all—an entire city or country, or all humankind. We see this in milestones throughout aviation history, and we celebrate those shared victories throughout our Museum. And when a sports team brings a championship to a city that hasn’t seen one in 25 years, the whole city comes out to celebrate.
Last year I wrote about the Armstrong purse, discovered by Neil Armstrong’s widow, Carol, in their home shortly after Neil’s death in 2012. That stowage bag of small (but historically significant) items from the first lunar landing was a reminder that the story of Apollo 11 continues to be told as new details emerge in unexpected places. Recently, we have again been reminded that a curator’s work is never done. During the course of a project to produce a detailed 3D model of the Apollo 11 Command Module Columbia, we were able to observe and record some hand-written notes and markings in areas of the spacecraft that have been hidden from view for more than 40 years.
On Thursday, February 4, the world lost the last of the Apollo 14 astronauts. Edgar Dean Mitchell, U.S. Navy test pilot and the sixth person to walk on the Moon, passed away in his sleep near his Florida home at the age of 85. Though it was his only flight into space, Apollo 14 provided the rather insightful Mitchell with an opportunity to test the bounds of the human mind in ways sometimes only he knew of at the time. Characterized later as the “Overview Effect,” he described the space travel experience as one that shifted his own beliefs about human existence, though having an openness to such a change was always a part of Mitchell’s way of life.
Our conservation team had the pleasure of hosting Alan Eustace, former Google executive, engineer, and stratospheric explorer, this month in the Emil Buehler Conservation Laboratory. Eustace and his StratEx team are well known for their three world records including one for the highest altitude jump at 41,422 meters (135,899 feet) in 2014. The adventurer was in town giving a lecture about his historic jump and to donate to the Museum the suit, life support, and balloon equipment module he used during the jump.
Apollo artifacts have begun to receive increased scrutiny in light of recent discussions about returning humans to the Moon and the upcoming 50th anniversary of the historic Apollo missions. What did astronauts of the 1960s and 1970s bring back from the Moon? What was left behind? And how can we verify the authenticity of any of those objects if they have been or will be recovered?
As the Apollo program took form in the early 1960s, NASA engineers always kept the safety of their astronauts at the fore in light of the enormous risks they knew were inherent in the goal of landing on the Moon and returning safely. Wherever possible, they designed backup systems so that if a primary system failed the crew would still have the means to return home safely. Sometimes creating a backup was not always practical. For example, the Service Module’s engine needed to fire while the crew was behind the Moon to place them in a trajectory that would return them to Earth. There was no practical backup if the engine failed. But even in that instance a plan was worked out to use the Lunar Module’s (LM) engine as a backup. D
When most people think of emergency fixes in space, the first incident that comes to mind is the famous Apollo 13 mission. The astronauts fashioned duct tape and surplus materials into air filtration canisters in the lunar module to keep all three astronauts alive for the entire trip home.
Gene Kranz is best known for his stellar performance as flight director for the ill-fated Apollo 13 mission. But Kranz is also known for another thing: his white vests. Kranz’s vests had legendary status around mission control, and also in the minds of the public after actor Ed Harris wore an exact replica of Kranz’s most famous vest in the 1995 movie, Apollo 13. Kranz’s vests represented the strong and can-do approach that pervaded his mission control team, especially during the Apollo 13 mission in which the astronauts’ lives were at stake.
We’ve received a few comments and questions about why our stretch goal for the Neil Armstrong #RebootTheSuit Kickstarter project is Alan Shepard’s Mercury Freedom 7 spacesuit. The short answer is that the two suits bracket the ideas and accomplishments of the Apollo space program.
One of my earliest memories is of watching the Moon landing on TV with my dad. I was barely four years old, so the whole thing really kind of went over my head. I do remember being upset that "Mr. Dressup" had been pre-empted. Also, I was fascinated by the fact that my dad was practically climbing into the TV, he was so excited! (He was a science teacher—genes that skipped me, sadly!) I learned that day, if people could walk on the Moon, anything was possible.