We’ve received a few comments and questions about why our stretch goal for the Neil Armstrong #RebootTheSuit Kickstarter project is Alan Shepard’s Mercury Freedom 7 spacesuit. The short answer is that the two suits bracket the ideas and accomplishments of the Apollo space program.
One of my earliest memories is of watching the Moon landing on TV with my dad. I was barely four years old, so the whole thing really kind of went over my head. I do remember being upset that "Mr. Dressup" had been pre-empted. Also, I was fascinated by the fact that my dad was practically climbing into the TV, he was so excited! (He was a science teacher—genes that skipped me, sadly!) I learned that day, if people could walk on the Moon, anything was possible.
Much like medical triage, conservation triage analyzes the risk posed to an object and the hazards associated with not taking immediate action. Triage conservators ask questions such as: Can the object be handled safely by staff and researchers? Will the degradation of the object continue if it is not treated immediately? What treatment can we do, with the resources at hand, to keep this object stable as long as possible?
In his memoir Moon Lander, Grumman project manager Thomas Kelly describes the exhilaration at Grumman for winning the contract to build what became the Lunar Module (LM), followed by trepidation when the design team realized the severe weight restraints they had to work under in order to get two astronauts safely to the lunar surface and back to lunar orbit. At the outset, Grumman and NASA worked with an initial estimate of 30,200 pounds, which was within the limits of the Saturn V’s booster capability; but this began to grow ominously as the work progressed.
At the National Air and Space Museum, as elsewhere around the world, we were enormously saddened when we learned that Neil Alden Armstrong, the first man to set foot on the Moon, had died of complications associated with heart surgery in August 2012. Not long afterwards his family contacted the Museum about artifacts he left in his home office in Ohio. In November, Museum curators Margaret Weitekamp (social and cultural history of space exploration), Alex Spencer (personal aeronautical equipment), and I (as Apollo curator) traveled to Cincinnati and were warmly greeted by his widow, Carol.
It was particularly timely that during the hustle and bustle of the 2014 holidays, I, along with curators Jennifer Levasseur and Cathleen Lewis, had a very special package to open for the very first time.