Throughout his long life, famed science fiction author Arthur C. Clarke corresponded with numerous people. This blog examine the correspondents that Clarke had with Stanley Kubrick, rocket scientist and pioneer Wernher von Braun, and Irish fantasy author Edward Plunkett, who published under the name Lord Dunsany.
The Archives of the National Air and Space Museum holds three million images in various photographic formats, covering the breadth and depth of the history of aviation and space flight. One such collection is the Herbert Stephen Desind Collection, which covers the history of space flight and exploration.
Part of the fun of research is getting elbow deep into the original documents that make up the collections of the National Air and Space Museum Archives. But we also understand that it is difficult for many researchers to make in-person visits to the Archives at the Museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia. As an alternative, you can experience the NASM Archives (and other Smithsonian collections) anywhere through the Smithsonian Online Virtual Archives (SOVA)!
Conservation of Michael Collins' razor from the Apollo 11 mission presented conservators with a complex ethical dilemma for deciding the best treatment approach: how to arrest degradation while maintaining the historical elements of the artifact.
2019 was a big year at the National Air and Space Museum, as we celebrated the 50th anniversary of Apollo 11, commemorated the 75th anniversary of the D-Day invasion, and worked hard on our ongoing renovation. We shared stories about these projects and more on the blog this year. Let’s dive into five of the most popular stories of 2019.
Since its opening, and until recent years, our Zeiss Model VIa optical planetarium projector has brought the wonder of the night sky to countless visitors. The Zeiss Company no longer services the over 40 year-old model, and though its stars are as sharp as ever, and its skies deep in their dramatic blackness, its celestial motors have become weary, so it has been retired in favor of an ever-improving digital projection system that offers many advantages to meet modern programming needs. The Albert Einstein Planetarium theater itself is also closing as our multi-year renovation progresses through the Museum, but it will eventually reopen as a fully digital experience. Now that we are saying good-bye to its original projector, the Zeiss Model VIa, the question is, of course, how did it get here