On this day in 2007, the Mars Phoenix lander was launched from a Delta II at Cape Canaveral Air Force Station, Florida. Phoenix flew to a site in the far northern plains of Mars where it analyzed components of the surface, subsurface, and atmosphere.
Throughout the Apollo program, a range of artists were given unrestricted access to NASA’s various facilities in order to collect usable reference materials. Many of these artworks were donated to the Museum and form a valuable lens through which to examine the cultural impact of twentieth century spaceflight and aviation.
The last time Neil Armstrong's gloves and helmet were displayed, in 2012, visitors asked us about “grey spots” on the right glove. We're conducting research and examining historical documentation to find out why.
On July 24, 1954, the Naval Research Laboratory (NRL) at Stump Neck, Maryland (now the Naval Surface Warfare Center in Indian Head, Maryland) sent and received the first human voice transmission to be bounced back to Earth from the Moon. Moon bounce, also known as Earth-Moon-Earth (EME) communication, is a technique that sends radio wave transmissions from Earth to the Moon.
On July 20, 1969, Neil Armstrong stepped onto the lunar surface, and the U.S. Treasury turned to America’s newest space heroes to fundraise. In 1970, the Advertising Council began one of the Treasury’s longest running Savings Bond promotions, “Take stock in America.” One of the first posters produced for the promotion is a photographic assembly depicting the United States’ conquest of the Moon.
The Museum’s Lunar Module LM-2 represents a dilemma, at least for the current generation of Smithsonian curators and conservators. What stages of its history are most important, and how should it to be presented to the public?
In partnership with the Smithsonian Digital Program Office (DPO), we all now have access to the most detailed view of the inside and outside of the command module Columbia. Using state-of-the-art 3D scanning and photogrammetry, DPO captured the real artifact in such high detail that every bolt and thread can be seen.
One of our goals for this conservation project is to create a concrete timeline of the spacesuit’s condition and to document any historical repairs. To do that, we need your help. We’re looking for photos of the spacesuit from its national tour beginning in 1970, the gloves and helmet on later tours, and the spacesuit on display at the Smithsonian between 1971 and 1976.
“We know it will be a good ride,” Astronaut Neil Armstrong said. He was responding to well wishes from the NASA launch operations manager just 15 seconds before automatic sequence. And he was right. It was a good ride.