In 2009, the Smithsonian launched a digitization strategic planning initiative, recognizing that digitization is a core activity of the institution that will make the institution’s resources available for the widest possible use by current and future generations. A 2011 Smithsonian directive outlined the institution’s goals for converting physical resources to a digital form as well as creating materials in a digital form. This directive mandates that the National Air and Space Museum and other units digitize their collections to guarantee Smithsonian digital resources will be accessible, which broadens the institution’s mission to increase and diffuse knowledge throughout the world.
A few of the Museum’s digitization activities from 2016 are outlined here.
Object Collections
Archival
One of the Museum’s Most Treasured Artifacts Scanned in 3D
Astronaut “graffiti” found inside
Museum specialists and conservators worked with the Smithsonian's 3D Digitization Program to scan the Apollo 11 Command Module, Columbia, to create a high-resolution interactive model of the entire spacecraft. This highly detailed model of the capsule that carried home the astronauts on the first Moon landing mission will allow researchers and the public to explore the entire craft inside and out, a feat not possible when viewing the artifact in the Museum.
In performing the scan, employees discovered “graffiti” written by the astronauts on the capsule’s walls. While some of the writing inside Columbia was already well-known, such as a note from Michael Collins declaring that Columbia was the "best ship to come down the line," others were unseen for almost 50 years. These markings include notes, figures, and a calendar with every day of the mission crossed out except for landing day.
The 3D model was made publicly available online in July 2016.
The team was able to perform the scan while Columbia was out of its protective cover in preparation for display at its ultimate home — the new Destination Moon gallery, scheduled to open in the Museum in Washington, DC, in 2020. The 3D scans will be used to produce an interactive display in the gallery.
In 2009, the Smithsonian launched a digitization strategic planning initiative, recognizing that digitization is a core activity of the institution that will make the institution’s resources available for the widest possible use by current and future generations. A 2011 Smithsonian directive outlined the institution’s goals for converting physical resources to a digital form as well as creating materials in a digital form. This directive mandates that the National Air and Space Museum and other units digitize their collections to guarantee Smithsonian digital resources will be accessible, which broadens the institution’s mission to increase and diffuse knowledge throughout the world.
A few of the Museum’s digitization activities from 2016 are outlined here.
Object Collections
Archival
One of the Museum’s Most Treasured Artifacts Scanned in 3D
Astronaut “graffiti” found inside
Museum specialists and conservators worked with the Smithsonian's 3D Digitization Program to scan the Apollo 11 Command Module, Columbia, to create a high-resolution interactive model of the entire spacecraft. This highly detailed model of the capsule that carried home the astronauts on the first Moon landing mission will allow researchers and the public to explore the entire craft inside and out, a feat not possible when viewing the artifact in the Museum.
In performing the scan, employees discovered “graffiti” written by the astronauts on the capsule’s walls. While some of the writing inside Columbia was already well-known, such as a note from Michael Collins declaring that Columbia was the "best ship to come down the line," others were unseen for almost 50 years. These markings include notes, figures, and a calendar with every day of the mission crossed out except for landing day.
The 3D model was made publicly available online in July 2016.
The team was able to perform the scan while Columbia was out of its protective cover in preparation for display at its ultimate home — the new Destination Moon gallery, scheduled to open in the Museum in Washington, DC, in 2020. The 3D scans will be used to produce an interactive display in the gallery.