Hell’s Angels, along with Wings and The Dawn Patrol, is considered one of the three great early aviation films that defined the genre. The movie featured authentic aerial combat scenes, innovative camera work, and incredible miniature effects. Upwards of 50 aircraft, nearly half actual World War I airplanes, were assembled for the production, and some 75 pilots were employed to fly the aerial sequences and pilot the camera planes.
Mobilization of the American war effort was an immense undertaking. Decisions about everything from how to form fighting units, to manufacturing the needed equipment, to the logistics of transport and supply had to be addressed. Part of this planning was the decision to send artists to cover the war in Europe.
Eight professional illustrators, commissioned as U.S. Army officers, were embedded with the American Expeditionary Forces (AEF) in France in early 1918. Their mission was to capture the wide-ranging activities of American soldiers, including combat, with the intent of shaping popular understanding at home of the war experiences of the AEF.
On April 6, 1917, the United States entered World War I, setting America on a course to become an important player on the world stage. It was a turning point in the nation’s history that still reverberates through world events a century later. The Museum’s centerpiece presentation in observance of the 100th anniversary of World War I is Artist Soldiers: Artistic Expression in the First World War, a new exhibition in the Museum’s Flight in the Arts gallery. A collaboration with the Smithsonian’s National Museum of American History, the exhibition features largely never-before-seen artwork, produced by soldiers, that sheds light on World War I in a compelling and very human way.
When the soldiers of Europe marched off to war in the late summer of 1914, most expected an adventure that would last mere weeks or months. By the end, in November 1918, millions had been consumed by four years of grinding, mechanized warfare. Casualties, military and civilian, numbered nearly 38 million—more than 17 million dead and 20 million wounded. The psychological and emotional toll was incalculable. Some of the stone carvings capture the enormity of the catastrophe.
Over a period of several years, photographer Jeff Gusky made numerous excursions into a forgotten world of underground WWI soldiers' living spaces and documented the stone carvings of the soldiers with high-end art photography.
The latest film in our Hollywood Goes to War: World War I on the Big Screen film series the story of the American Expeditionary Force’s arrival in France in World War I. Based on the real-life exploits of New York City’s 69th Infantry Regiment, The Fighting 69th features several real-life characters.
Howard Hawks directed a film in 1930 whose influence can be seen in virtually every military aviation movie made since it premiered. The Dawn Patrol, with its dramatic aerial combat scenes and heroic and tragic pilot figures, is the father of all military aviation films. We will be screening The Dawn Patrol and providing commentary on March 17 as part of our Hollywood Goes to War: World War I on the Big Screen, film series.
On April 6, 1917, the United States entered World War I, setting America on a course to become an important player on the world stage. It was a turning point in the nation’s history that still reverberates through world events a century later. One of the Museum’s most engaging programs in observance of the hundredth anniversary of the First World War is Hollywood Goes to War: World War I on the Big Screen, a year-long film series showing Hollywood’s finest feature films on World War I.
The year 2016 marks the 100th anniversary of the “Escadrille Américaine” or the Lafayette Escadrille. Created on December 6, 1916, the Escadrille (or “squadron”) holds a unique place both in the history of World War I (1914-1918) and in the history of aviation overall. Most notably, the Escadrille was composed of American volunteers who chose to fight for France a year before the United States’ official entry into the Great War in April 1917.
Our Archives houses the Technical Reference Files, an important collection of aeronautical and astronautical topics comprised of 1,920 cubic feet of documents, photographs, and ephemera. This important resource is housed in vertical files and is an organic, growing collection to which material is added constantly. Recently, we came across a remarkable document in the Tech Files of the long fight against tuberculosis—shared with you today in recognition of World Tuberculosis Day.